Global Pro Audio Market Overview

The pro audio market was valued at USD 2.43 billion in 2023 and is expected to reach USD 5.38 billion by the year 2032, at a CAGR of 9.24% over the forecast period 2024- 2032.

Pro audio or professional audio is devices that reproduce, record, and edit or process sound on a professional level. This pro audio is highly efficient and used to produce error-proof audio mixes. Pro audio is specified and advanced devices to create noise-proof and quality music or audio. It is mainly used in the entertainment industry for various reasons like creating music albums, advertisements, recordings, and other industry-related professional activities. Professional audio includes various products like amplifiers, headphones, DJ equipment, stage equipment, speakers, and others. This diversification of Products offers high specialty products to the market. Along with this, audio equipment such as DAW, audio interface, audio monitors, and others, are normally used in modern studios, dedicated home studios, complexes, pro studios, bedroom studios, and semi-pro studios for better sound quality which leads to growth to the Pro audio market over the forecast period.

Market Dynamics And Factors For Pro Audio Market

Drivers:

Increasing Demand for Ultra HD Sound Quality       

The Pro Audio market is expanding due to its ability to provide high-quality sound. This is used by professionals in a music production house, and artists for live concerts and song recording. Due to market demands for good sound quality, demand for Ultra HD sound quality is anticipated. Initially, the audience was not very knowledgeable about musical instruments and sound quality. However, today, especially among Millennials, there is an increase in desire for HD & super HD sound quality, which is boosting demand for the pro audio market throughout the anticipated time. The major producers also provide a well-defined product with excellent sound quality. For instance, Sony's 360-reality audio provides a superior audio experience to the user in the creation of motion pictures, graphics & animations, and video games. As a result, the market for professional audio is growing thanks to the newest features and technological breakthroughs.

Restraints:

The High-Quality Audio Devices Charge Higher Initial Cost

There are many different types and price points for pro audio equipment. Investing in professional audio requires paying a greater initial price. The equipment is constructed with numerous intricate structures, which raises the cost of producing the finished good. The most expensive items are circuit designs and parts like transistors, capacitors, and telcos. Additionally, assembly is the process of building a single unique object out of batches of complementary components. For this part's assembly and testing, the company needs experts. The starting cost of pro audio is increased by all of these factors, which could slow the pro audio market's expansion during the forecasted period.

Opportunities:

Adoption of Pro Audio for Home Studios

Since so many people have a passion for music or want to spend their leisure time making art, they are adopting pro audio for personal use, which presents a chance for the market to grow the household sector of the economy. Additionally, because people spend more time at home during a pandemic, many of them renew their hobbies or creative spaces, which spurs the market's expansion. In order to encourage aspiring artists to stay at home safely and use this epidemic time to create and share music, for example, AIAIAI launched their web portal #stayhomemakemusic. In addition, As per the Statista, Microphone sales in the U.S. retail market for sound equipment totalled 650 million dollars in 2020. This is due to a growth in demand from consumers who record audio at home for YouTube, podcasts, and staying in touch during lockdowns as well as the need from professional users. This demonstrates the widespread use of pro audio by individuals and influencers, which supports the market's growth during the projected period.

Segmentation Analysis of Pro Audio Market

By Product, the speaker segment expected to dominates the market growth of the pro audio over the forecast period. The adoption of pro speakers by commercial as well as residential sectors propels the growth of the market. The speakers used at a professional level are called monitor speakers or studio monitors because they're used for monitoring critical listening during recording, mixing, and mastering. However, the pro speaker is not designed to enhance the sound or increase the volume of sound but it keeps all frequencies flat to provide purer, cleaner sound for more accurate mixing. Additionally, Monitor speakers are loudspeakers that we use specifically for audio and music production. Increasing music production on both commercial and residential levels helps to expand the market. Monitor speakers to ensure the sound quality of what the live audience is hearing is exactly there. The point of having good speakers is to hear your music played back properly and accurately, no matter what system it is played back on. These applications provide high growth to the pro audio market. Moreover, Pro speakers hold large shares in pro audio equipment. Revenue in the Speakers segment amounts to US$9.18bn in 2022.

By Distribution Channels, the offline segment anticipated to have highest growth in the pro audio market during the forecasted period. Pro audio is an electronic device and most people like to see, hear, and test the quality of products that they are buying. Offline distribution channels allow people to personally hear, see and experience the sound, and mixing quality which helps to enhance the offline business of pro audio equipment. Electronic devices have a high chance of being defected or damaged and require Installation, maintenance, and repair services, and offline distribution channels like specialty stores provide these services in a more effective way than online channels. It is easy for the customer to contact and coordinate with the offline distributor so this segment is getting high growth which also propels the growth of the Pro Audio market during the analysis period.

Regional Analysis Of Pro Audio Market

North America is dominating region for the pro audio market during the projected period. The adoption of pro audio is increasing and expected highest growth rate in North America, as compared to the other regions. The main factor that impacted the increasing adoption rate is the presence of various prominent market players. This region includes developed countries such as Canada and the US which consist of major key manufacturers such as SONOS, HEOS, Control, and Bose, which are providing technically advanced and economically affordable solutions. In the United States, 76% of professional users use Sonos and it is one of their three preferred wireless audio brands. Additionally, Bose is a global leader in audio manufacturing. They offer multiple products like personal audio equipment, home audio systems, automobile infotainment, and professional audio generating annual sales revenue of 3.2 billion U.S. dollars in the fiscal year 2021. This shows the high adoption of pro audio equipment, which helps in the expansion of Pro Audio in the North American region.

The Europe region is the fast-growing region for the pro audio market during the forecasted period. The use of pro audio is increasing to create music by small-scale businesses and the high adoption rate of pro audio solutions to build home studios is the key factor affecting the market growth in this region. Individuals are purchasing pro audio to create music as a hobby. Additionally, people who are just started their journey and wish to have a career in music are the main consumer of this market. Manufacturers are providing cost-effective equipment for beginner to create their studio at home. These home studios require comparatively low establishment cost, using just main and minimum equipment individuals are creating their music studio which is boosting the growth of the pro audio market during the analysis time in the Europe region.

Asia Pacific region is experiencing significant growth in the pro audio market during the forecasted period. This region contains the most populated countries like India, China, and Japan. The population contains potential candidates which are contributing to the entertainment industry. The new emerging talent and increasing popularity of singers, and live concerts among the population is providing high growth to the market. Hence the expansion of the music industry propels the growth of the pro audio market. Additionally, pro audio is also used to enhance the customer or user experience in various locations such as pubs, malls, sports complexes, and stadiums. For instance, restaurant owners are using professional audio to enhance dining experiences across various countries also boosting the growth of the pro audio market during the projected period.

Top Key Players Covered In Pro Audio Market

• Sennheiser(Germany)
• Yamaha (Japan)
• Audio-Tehcnica (Japan)
• Shure (US)
• AKG (Austria)
• Blue (Japan)
• Lewitt Audio (Austria)
• Sony(Japan)
• Takstar (China)
• MIPRO (US)
• Allen&heath (UK)
• TOA (Japan)
• Wisycom (Italy)
• Beyerdynamic (Germany)
• Lectrosonic (US)

Key Industry Development In The Pro Audio Market

• In March 2024, Meyer Sound acquired Audio Rhapsody, a nascent startup founded by sound designer Jonathan Deans. This acquisition enhanced Meyer Sound's position in theater sound solutions. By incorporating Deans' expertise, the company aimed to develop advanced software solutions, thereby expanding its portfolio of integrated digital systems. The strategic move allowed Meyer Sound to leverage cutting-edge technology and innovation from Audio Rhapsody, positioning itself more robustly in the competitive market of audio engineering and sound design.
• In February 2024, Audio Pro initiated a collaboration in the United States with United Radio, a long-established leader in the global electronics repair and recycling industry. United Radio supported Audio Pro with warehousing, distribution, and product repairs. Managing logistics for North, South, and Central America, United Radio's services included both online and offline store support. This encompassed aiding Audio Pro’s website and Amazon sales.

Chapter 1: Introduction
 1.1 Research Objectives
 1.2 Research Methodology
 1.3 Research Process
 1.4 Scope and Coverage
  1.4.1 Market Definition
  1.4.2 Key Questions Answered
 1.5 Market Segmentation

Chapter 2:Executive Summary

Chapter 3:Growth Opportunities By Segment
 3.1 By Type
 3.2 By Application

Chapter 4: Market Landscape
 4.1 Porter's Five Forces Analysis
  4.1.1 Bargaining Power of Supplier
  4.1.2 Threat of New Entrants
  4.1.3 Threat of Substitutes
  4.1.4 Competitive Rivalry
  4.1.5 Bargaining Power Among Buyers
 4.2 Industry Value Chain Analysis
 4.3 Market Dynamics
  4.3.1 Drivers
  4.3.2 Restraints
  4.3.3 Opportunities
  4.5.4 Challenges
 4.4 Pestle Analysis
 4.5 Technological Roadmap
 4.6 Regulatory Landscape
 4.7 SWOT Analysis
 4.8 Price Trend Analysis
 4.9 Patent Analysis
 4.10 Analysis of the Impact of Covid-19
  4.10.1 Impact on the Overall Market
  4.10.2 Impact on the Supply Chain
  4.10.3 Impact on the Key Manufacturers
  4.10.4 Impact on the Pricing

Chapter 5: Pro Audio Market by Type
 5.1 Pro Audio Market Overview Snapshot and Growth Engine
 5.2 Pro Audio Market Overview
 5.3 Mixers
  5.3.1 Introduction and Market Overview
  5.3.2 Historic and Forecasted Market Size (2017-2032F)
  5.3.3 Key Market Trends, Growth Factors and Opportunities
  5.3.4 Mixers: Grographic Segmentation
 5.4 Processors
  5.4.1 Introduction and Market Overview
  5.4.2 Historic and Forecasted Market Size (2017-2032F)
  5.4.3 Key Market Trends, Growth Factors and Opportunities
  5.4.4 Processors: Grographic Segmentation
 5.5 Power Amplifiers
  5.5.1 Introduction and Market Overview
  5.5.2 Historic and Forecasted Market Size (2017-2032F)
  5.5.3 Key Market Trends, Growth Factors and Opportunities
  5.5.4 Power Amplifiers: Grographic Segmentation
 5.6 Speakers
  5.6.1 Introduction and Market Overview
  5.6.2 Historic and Forecasted Market Size (2017-2032F)
  5.6.3 Key Market Trends, Growth Factors and Opportunities
  5.6.4 Speakers: Grographic Segmentation
 5.7 Headphones
  5.7.1 Introduction and Market Overview
  5.7.2 Historic and Forecasted Market Size (2017-2032F)
  5.7.3 Key Market Trends, Growth Factors and Opportunities
  5.7.4 Headphones: Grographic Segmentation
 5.8 Others
  5.8.1 Introduction and Market Overview
  5.8.2 Historic and Forecasted Market Size (2017-2032F)
  5.8.3 Key Market Trends, Growth Factors and Opportunities
  5.8.4 Others: Grographic Segmentation

Chapter 6: Pro Audio Market by Application
 6.1 Pro Audio Market Overview Snapshot and Growth Engine
 6.2 Pro Audio Market Overview
 6.3 Commercial Installed Sound
  6.3.1 Introduction and Market Overview
  6.3.2 Historic and Forecasted Market Size (2017-2032F)
  6.3.3 Key Market Trends, Growth Factors and Opportunities
  6.3.4 Commercial Installed Sound: Grographic Segmentation
 6.4 Music Production
  6.4.1 Introduction and Market Overview
  6.4.2 Historic and Forecasted Market Size (2017-2032F)
  6.4.3 Key Market Trends, Growth Factors and Opportunities
  6.4.4 Music Production: Grographic Segmentation
 6.5 Broadcast
  6.5.1 Introduction and Market Overview
  6.5.2 Historic and Forecasted Market Size (2017-2032F)
  6.5.3 Key Market Trends, Growth Factors and Opportunities
  6.5.4 Broadcast: Grographic Segmentation
 6.6 Theatre
  6.6.1 Introduction and Market Overview
  6.6.2 Historic and Forecasted Market Size (2017-2032F)
  6.6.3 Key Market Trends, Growth Factors and Opportunities
  6.6.4 Theatre: Grographic Segmentation
 6.7 Others
  6.7.1 Introduction and Market Overview
  6.7.2 Historic and Forecasted Market Size (2017-2032F)
  6.7.3 Key Market Trends, Growth Factors and Opportunities
  6.7.4 Others: Grographic Segmentation

Chapter 7: Company Profiles and Competitive Analysis
 7.1 Competitive Landscape
  7.1.1 Competitive Positioning
  7.1.2 Pro Audio Sales and Market Share By Players
  7.1.3 Industry BCG Matrix
  7.1.4 Ansoff Matrix
  7.1.5 Pro Audio Industry Concentration Ratio (CR5 and HHI)
  7.1.6 Top 5 Pro Audio Players Market Share
  7.1.7 Mergers and Acquisitions
  7.1.8 Business Strategies By Top Players
 7.2 SENNHEISER
  7.2.1 Company Overview
  7.2.2 Key Executives
  7.2.3 Company Snapshot
  7.2.4 Operating Business Segments
  7.2.5 Product Portfolio
  7.2.6 Business Performance
  7.2.7 Key Strategic Moves and Recent Developments
  7.2.8 SWOT Analysis
 7.3 YAMAHA
 7.4 AUDIO-TEHCNICA
 7.5 SHURE
 7.6 AKG
 7.7 BLUE
 7.8 LEWITT AUDIO
 7.9 SONY
 7.10 TAKSTAR
 7.11 MIPRO
 7.12 ALLEN&HEATH
 7.13 TOA
 7.14 WISYCOM
 7.15 BEYERDYNAMIC
 7.16 LECTROSONIC
 7.17 OTHER MAJOR PLAYERS

Chapter 8: Global Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 8.1 Market Overview
 8.2 Historic and Forecasted Market Size By Type
  8.2.1 Mixers
  8.2.2 Processors
  8.2.3 Power Amplifiers
  8.2.4 Speakers
  8.2.5 Headphones
  8.2.6 Others
 8.3 Historic and Forecasted Market Size By Application
  8.3.1 Commercial Installed Sound
  8.3.2 Music Production
  8.3.3 Broadcast
  8.3.4 Theatre
  8.3.5 Others

Chapter 9: North America Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 9.1 Key Market Trends, Growth Factors and Opportunities
 9.2 Impact of Covid-19
 9.3 Key Players
 9.4 Key Market Trends, Growth Factors and Opportunities
 9.4 Historic and Forecasted Market Size By Type
  9.4.1 Mixers
  9.4.2 Processors
  9.4.3 Power Amplifiers
  9.4.4 Speakers
  9.4.5 Headphones
  9.4.6 Others
 9.5 Historic and Forecasted Market Size By Application
  9.5.1 Commercial Installed Sound
  9.5.2 Music Production
  9.5.3 Broadcast
  9.5.4 Theatre
  9.5.5 Others
 9.6 Historic and Forecast Market Size by Country
  9.6.1 U.S.
  9.6.2 Canada
  9.6.3 Mexico

Chapter 10: Europe Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 10.1 Key Market Trends, Growth Factors and Opportunities
 10.2 Impact of Covid-19
 10.3 Key Players
 10.4 Key Market Trends, Growth Factors and Opportunities
 10.4 Historic and Forecasted Market Size By Type
  10.4.1 Mixers
  10.4.2 Processors
  10.4.3 Power Amplifiers
  10.4.4 Speakers
  10.4.5 Headphones
  10.4.6 Others
 10.5 Historic and Forecasted Market Size By Application
  10.5.1 Commercial Installed Sound
  10.5.2 Music Production
  10.5.3 Broadcast
  10.5.4 Theatre
  10.5.5 Others
 10.6 Historic and Forecast Market Size by Country
  10.6.1 Germany
  10.6.2 U.K.
  10.6.3 France
  10.6.4 Italy
  10.6.5 Russia
  10.6.6 Spain
  10.6.7 Rest of Europe

Chapter 11: Asia-Pacific Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 11.1 Key Market Trends, Growth Factors and Opportunities
 11.2 Impact of Covid-19
 11.3 Key Players
 11.4 Key Market Trends, Growth Factors and Opportunities
 11.4 Historic and Forecasted Market Size By Type
  11.4.1 Mixers
  11.4.2 Processors
  11.4.3 Power Amplifiers
  11.4.4 Speakers
  11.4.5 Headphones
  11.4.6 Others
 11.5 Historic and Forecasted Market Size By Application
  11.5.1 Commercial Installed Sound
  11.5.2 Music Production
  11.5.3 Broadcast
  11.5.4 Theatre
  11.5.5 Others
 11.6 Historic and Forecast Market Size by Country
  11.6.1 China
  11.6.2 India
  11.6.3 Japan
  11.6.4 Singapore
  11.6.5 Australia
  11.6.6 New Zealand
  11.6.7 Rest of APAC

Chapter 12: Middle East & Africa Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 12.1 Key Market Trends, Growth Factors and Opportunities
 12.2 Impact of Covid-19
 12.3 Key Players
 12.4 Key Market Trends, Growth Factors and Opportunities
 12.4 Historic and Forecasted Market Size By Type
  12.4.1 Mixers
  12.4.2 Processors
  12.4.3 Power Amplifiers
  12.4.4 Speakers
  12.4.5 Headphones
  12.4.6 Others
 12.5 Historic and Forecasted Market Size By Application
  12.5.1 Commercial Installed Sound
  12.5.2 Music Production
  12.5.3 Broadcast
  12.5.4 Theatre
  12.5.5 Others
 12.6 Historic and Forecast Market Size by Country
  12.6.1 Turkey
  12.6.2 Saudi Arabia
  12.6.3 Iran
  12.6.4 UAE
  12.6.5 Africa
  12.6.6 Rest of MEA

Chapter 13: South America Pro Audio Market Analysis, Insights and Forecast, 2017-2032
 13.1 Key Market Trends, Growth Factors and Opportunities
 13.2 Impact of Covid-19
 13.3 Key Players
 13.4 Key Market Trends, Growth Factors and Opportunities
 13.4 Historic and Forecasted Market Size By Type
  13.4.1 Mixers
  13.4.2 Processors
  13.4.3 Power Amplifiers
  13.4.4 Speakers
  13.4.5 Headphones
  13.4.6 Others
 13.5 Historic and Forecasted Market Size By Application
  13.5.1 Commercial Installed Sound
  13.5.2 Music Production
  13.5.3 Broadcast
  13.5.4 Theatre
  13.5.5 Others
 13.6 Historic and Forecast Market Size by Country
  13.6.1 Brazil
  13.6.2 Argentina
  13.6.3 Rest of SA

Chapter 14 Investment Analysis

Chapter 15 Analyst Viewpoint and Conclusion

LIST OF TABLES

TABLE 001. EXECUTIVE SUMMARY
TABLE 002. PRO AUDIO MARKET BARGAINING POWER OF SUPPLIERS
TABLE 003. PRO AUDIO MARKET BARGAINING POWER OF CUSTOMERS
TABLE 004. PRO AUDIO MARKET COMPETITIVE RIVALRY
TABLE 005. PRO AUDIO MARKET THREAT OF NEW ENTRANTS
TABLE 006. PRO AUDIO MARKET THREAT OF SUBSTITUTES
TABLE 007. PRO AUDIO MARKET BY TYPE
TABLE 008. MIXERS MARKET OVERVIEW (2016-2028)
TABLE 009. PROCESSORS MARKET OVERVIEW (2016-2028)
TABLE 010. POWER AMPLIFIERS MARKET OVERVIEW (2016-2028)
TABLE 011. SPEAKERS MARKET OVERVIEW (2016-2028)
TABLE 012. HEADPHONES MARKET OVERVIEW (2016-2028)
TABLE 013. OTHERS MARKET OVERVIEW (2016-2028)
TABLE 014. PRO AUDIO MARKET BY APPLICATION
TABLE 015. COMMERCIAL INSTALLED SOUND MARKET OVERVIEW (2016-2028)
TABLE 016. MUSIC PRODUCTION MARKET OVERVIEW (2016-2028)
TABLE 017. BROADCAST MARKET OVERVIEW (2016-2028)
TABLE 018. THEATRE MARKET OVERVIEW (2016-2028)
TABLE 019. OTHERS MARKET OVERVIEW (2016-2028)
TABLE 020. NORTH AMERICA PRO AUDIO MARKET, BY TYPE (2016-2028)
TABLE 021. NORTH AMERICA PRO AUDIO MARKET, BY APPLICATION (2016-2028)
TABLE 022. N PRO AUDIO MARKET, BY COUNTRY (2016-2028)
TABLE 023. EUROPE PRO AUDIO MARKET, BY TYPE (2016-2028)
TABLE 024. EUROPE PRO AUDIO MARKET, BY APPLICATION (2016-2028)
TABLE 025. PRO AUDIO MARKET, BY COUNTRY (2016-2028)
TABLE 026. ASIA PACIFIC PRO AUDIO MARKET, BY TYPE (2016-2028)
TABLE 027. ASIA PACIFIC PRO AUDIO MARKET, BY APPLICATION (2016-2028)
TABLE 028. PRO AUDIO MARKET, BY COUNTRY (2016-2028)
TABLE 029. MIDDLE EAST & AFRICA PRO AUDIO MARKET, BY TYPE (2016-2028)
TABLE 030. MIDDLE EAST & AFRICA PRO AUDIO MARKET, BY APPLICATION (2016-2028)
TABLE 031. PRO AUDIO MARKET, BY COUNTRY (2016-2028)
TABLE 032. SOUTH AMERICA PRO AUDIO MARKET, BY TYPE (2016-2028)
TABLE 033. SOUTH AMERICA PRO AUDIO MARKET, BY APPLICATION (2016-2028)
TABLE 034. PRO AUDIO MARKET, BY COUNTRY (2016-2028)
TABLE 035. SENNHEISER: SNAPSHOT
TABLE 036. SENNHEISER: BUSINESS PERFORMANCE
TABLE 037. SENNHEISER: PRODUCT PORTFOLIO
TABLE 038. SENNHEISER: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 038. YAMAHA: SNAPSHOT
TABLE 039. YAMAHA: BUSINESS PERFORMANCE
TABLE 040. YAMAHA: PRODUCT PORTFOLIO
TABLE 041. YAMAHA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 041. AUDIO-TEHCNICA: SNAPSHOT
TABLE 042. AUDIO-TEHCNICA: BUSINESS PERFORMANCE
TABLE 043. AUDIO-TEHCNICA: PRODUCT PORTFOLIO
TABLE 044. AUDIO-TEHCNICA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 044. SHURE: SNAPSHOT
TABLE 045. SHURE: BUSINESS PERFORMANCE
TABLE 046. SHURE: PRODUCT PORTFOLIO
TABLE 047. SHURE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 047. AKG: SNAPSHOT
TABLE 048. AKG: BUSINESS PERFORMANCE
TABLE 049. AKG: PRODUCT PORTFOLIO
TABLE 050. AKG: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 050. BLUE: SNAPSHOT
TABLE 051. BLUE: BUSINESS PERFORMANCE
TABLE 052. BLUE: PRODUCT PORTFOLIO
TABLE 053. BLUE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 053. LEWITT AUDIO: SNAPSHOT
TABLE 054. LEWITT AUDIO: BUSINESS PERFORMANCE
TABLE 055. LEWITT AUDIO: PRODUCT PORTFOLIO
TABLE 056. LEWITT AUDIO: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 056. SONY: SNAPSHOT
TABLE 057. SONY: BUSINESS PERFORMANCE
TABLE 058. SONY: PRODUCT PORTFOLIO
TABLE 059. SONY: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 059. TAKSTAR: SNAPSHOT
TABLE 060. TAKSTAR: BUSINESS PERFORMANCE
TABLE 061. TAKSTAR: PRODUCT PORTFOLIO
TABLE 062. TAKSTAR: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 062. MIPRO: SNAPSHOT
TABLE 063. MIPRO: BUSINESS PERFORMANCE
TABLE 064. MIPRO: PRODUCT PORTFOLIO
TABLE 065. MIPRO: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 065. ALLEN&HEATH: SNAPSHOT
TABLE 066. ALLEN&HEATH: BUSINESS PERFORMANCE
TABLE 067. ALLEN&HEATH: PRODUCT PORTFOLIO
TABLE 068. ALLEN&HEATH: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 068. TOA: SNAPSHOT
TABLE 069. TOA: BUSINESS PERFORMANCE
TABLE 070. TOA: PRODUCT PORTFOLIO
TABLE 071. TOA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 071. WISYCOM: SNAPSHOT
TABLE 072. WISYCOM: BUSINESS PERFORMANCE
TABLE 073. WISYCOM: PRODUCT PORTFOLIO
TABLE 074. WISYCOM: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 074. BEYERDYNAMIC: SNAPSHOT
TABLE 075. BEYERDYNAMIC: BUSINESS PERFORMANCE
TABLE 076. BEYERDYNAMIC: PRODUCT PORTFOLIO
TABLE 077. BEYERDYNAMIC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 077. LECTROSONIC: SNAPSHOT
TABLE 078. LECTROSONIC: BUSINESS PERFORMANCE
TABLE 079. LECTROSONIC: PRODUCT PORTFOLIO
TABLE 080. LECTROSONIC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 080. OTHER MAJOR PLAYERS: SNAPSHOT
TABLE 081. OTHER MAJOR PLAYERS: BUSINESS PERFORMANCE
TABLE 082. OTHER MAJOR PLAYERS: PRODUCT PORTFOLIO
TABLE 083. OTHER MAJOR PLAYERS: KEY STRATEGIC MOVES AND DEVELOPMENTS

LIST OF FIGURES

FIGURE 001. YEARS CONSIDERED FOR ANALYSIS
FIGURE 002. SCOPE OF THE STUDY
FIGURE 003. PRO AUDIO MARKET OVERVIEW BY REGIONS
FIGURE 004. PORTER'S FIVE FORCES ANALYSIS
FIGURE 005. BARGAINING POWER OF SUPPLIERS
FIGURE 006. COMPETITIVE RIVALRYFIGURE 007. THREAT OF NEW ENTRANTS
FIGURE 008. THREAT OF SUBSTITUTES
FIGURE 009. VALUE CHAIN ANALYSIS
FIGURE 010. PESTLE ANALYSIS
FIGURE 011. PRO AUDIO MARKET OVERVIEW BY TYPE
FIGURE 012. MIXERS MARKET OVERVIEW (2016-2028)
FIGURE 013. PROCESSORS MARKET OVERVIEW (2016-2028)
FIGURE 014. POWER AMPLIFIERS MARKET OVERVIEW (2016-2028)
FIGURE 015. SPEAKERS MARKET OVERVIEW (2016-2028)
FIGURE 016. HEADPHONES MARKET OVERVIEW (2016-2028)
FIGURE 017. OTHERS MARKET OVERVIEW (2016-2028)
FIGURE 018. PRO AUDIO MARKET OVERVIEW BY APPLICATION
FIGURE 019. COMMERCIAL INSTALLED SOUND MARKET OVERVIEW (2016-2028)
FIGURE 020. MUSIC PRODUCTION MARKET OVERVIEW (2016-2028)
FIGURE 021. BROADCAST MARKET OVERVIEW (2016-2028)
FIGURE 022. THEATRE MARKET OVERVIEW (2016-2028)
FIGURE 023. OTHERS MARKET OVERVIEW (2016-2028)
FIGURE 024. NORTH AMERICA PRO AUDIO MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 025. EUROPE PRO AUDIO MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 026. ASIA PACIFIC PRO AUDIO MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 027. MIDDLE EAST & AFRICA PRO AUDIO MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 028. SOUTH AMERICA PRO AUDIO MARKET OVERVIEW BY COUNTRY (2016-2028)