Music Composing Software Market Synopsis

Music Composing Software Market Size Was Valued at USD 416.71 Million in 2023 and is Projected to Reach USD 2879.84 Million by 2032, Growing at a CAGR of 23.96 % From 2024-2032.

Music composition software program or Digital audio workstations (DAWs) refers to specialized applications designed for musicians and composers to create, edit, and set up tracks electronically. The music composition software program, a sheet track maker, is an application that easily creates sheet music. These programs provide an extensive variety of tools and capabilities that allow composers to experiment with special sounds, units, and musical patterns.

• Music composition software or Digital audio workstations (DAWs) refers to specialized applications designed for musicians and composers to create, edit, and set up tracks electronically. The music composition software program, additionally called a sheet tune maker, is software that easily creates sheet music. These programs offer various tools and facilities that allow composers to experiment with different sounds, instruments, and musical styles.
• One of the primary drivers of the tune composition software marketplace is the increase of home studios and independent musicians. These software programs allow artists to provide high-quality music without expensive recording equipment or professional studios, contributing to the increase of the marketplace.
• However, unauthorized distribution of tune software programs remains a first-rate challenge that hinders market increase. In addition, the continued improvement of software program technology along with artificial intelligence and machine learning knowledge leads to the improvement of innovative features together with automatic music creation, intelligent harmonization, and intelligent editing equipment. These improvements enhance the features of the music composition software program and attract more customers, creating opportunities for market growth.

Music Composing Software Market Trend Analysis

Software Technological Advancements

• Over the beyond 20 years, digital audio workstations (DAWs) have revolutionized music production. This software program has taken the place of traditional recording equipment and provides loads of features and tools for music recording, modifying, and mixing.  The improvement of digital technology has introduced approximately fundamental adjustments in most areas of the music industry. Early digital recording hardware and software made the recording system a little cheaper and less difficult. CDs improved sound high-quality for customers and decreased production and distribution costs. Digital technologies to start with brought about the boom of the music industry.
• The development of virtual audio workstations (DAW) has not simply made song production easier for all, but it has also made it simpler for artists from different parts of the world to work together. Cloud-based virtual audio workstations and online collaboration tools, musicians can now without difficulty painting collectively in actual time, no matter where they are located. This connection has cultivated a lively global music scene, allowing artists to locate notions from diverse cultural resources and work with talented people they would not have met otherwise.
• Furthermore, advancements in artificial intelligence and machine learning are beginning to transform the creative process, as AI-driven devices help musicians compose, arrange, and study tunes. Advancements in technology continue to push the limits of track manufacturing, providing limitless possibilities for creativity and innovation inside the virtual generation.

AI Integration in Composing Software

• Artificial intelligence (AI) is beginning to appear in music composition tools. These technologies offer features consisting of intelligent sample generation, real-time melody and harmonic feedback, and automated program improvement. This makes it simpler for creators, specifically beginners, to discover musical thoughts and allows bridge the space between musical ideas and execution.
• The integration of artificial intelligence (AI) into track manufacturing is shaping the landscape of the tune industry and offers unprecedented opportunities and new challenges for the music industry and educational establishments alike. Several AI music generators have stood out for their technologies, capabilities, and the interest they've generated within the music and technology groups.
• The advancement of artificial intelligence is its potential to investigate big records, identify patterns, and predict trends, which helps producers and marketers create content that engages audiences. AI music generators allow artists to test thoughts, automate recordings, and focus more on creativity than technology.

Music Composing Software Market Segment Analysis:

Music Composing Software Market is segmented based on type, deployment mode, device type, application, operating system, pricing strategy, pricing model, end-users, and region.

By Type, Casual segment is expected to dominate the market during the forecast period

• Free and affordable music-making software is easily available, making it accessible to a wide range of users, from hobbyists and beginners to music lecture room teachers and students. This affordability allows people to experiment and explore music-making without a significant financial investment. In addition, many freeware programmers offer freemium models, in which basic capabilities are to be had without cost, and extra capabilities are unlocked for a subscription charge. This allows customers to attempt the software program before making a purchase.
• Many casual tune manufacturers use this software program to create quick portions of tracks or clips specially designed to be shared on social media like TikTok, Instagram, and YouTube. The ease of use of these programs and the availability of loose loops and samples make it easy to create a song that conforms to the demands and trends of these structures. Music creators can use this software program to construct a following, collaborate with different musicians, and even advantage of reputation from file labels and skills scouts, who increasingly use social media to discover new talent.

By Application, the recording segment is expected to dominate the market during the forecast period

• The recording segment has the largest market share and the mixer segment is expected to grow the most during the forecast period. Music production software allows the user to record audio, multiple tracks, or live instruments such as a drum kit or acoustic guitar individually or together.
• Additionally, a constant trend in music remixing is to use a music app to mix tracks. Users can use existing music tracks and mix them to create new music. The software comes with advanced features such as reverb, delay, compression, reverb trend, Virtual Studio Technology (VST) plug-ins, and more that allow artists to produce enhanced and edited music.
• The recording segment is fueled using the increasing availability of high-quality recording equipment and software and the growing number of independent musicians and content material producers getting into the market. With the proliferation of low-priced recording interfaces, microphones, and studio video display units, aspiring artists can now create professional recording studios in their very own houses or even on their laptops. This democratization of song manufacturing caused a pointy boom in creative manufacturing and the diversification of music genres and styles.

Music Composing Software Market Regional Insights:

North America is Expected to Dominate the Market Over the Forecast Period

• The North American music composition software program market is growing rapidly. This is due to several factors, such as the upward push in recognition of digital music production, the rise of streaming services, and the growing demand for song production software. The North American market is also driven by the growing availability of less costly music production software and the increase in the range of track production specialists within the region. Also, the growth of music festivals and live music events within the region is likewise growing the demand for music production software.
• The growth within the wide variety of music production schools and courses within the region is likewise contributing to the growth of the music production software program market. This is because the number of students interested in getting to know music production is increasing, and the number of professionals adding skills is increasing.
• Overall, the North American music composition software market is experiencing a period of fast boom because of factors including the demand in recognition of digital music production, the increase of streaming services, the increasing availability of low-priced music production software programs, and the growing number of music production professionals and courses inside the area.

Active Key Players in the Music Composing Software Market

• Make Music (US)
• Maestro Music Software (US)
• PreSonus Audio Electronics (US)
• Noteworthy Software (US)
• Passport Music Software (US)
• Sion Software (US)
• PreSonus Audio Electronics (US)
• Avid Pro Tools (US)
• Waveform Free (US)
• Audacity (US)
• Adobe Audition (US)
• GarageBand (US)
• Studio One (US)
• Logic Pro (US)
• REAPER (US)
• Maestro Music Software (US)
• Acid Pro (Canada)
• Cubase (Germany)
• Lugert Verlag (Germany)
• Notation Software (Germany)
• Ableton Live (Germany)
• Bitwig Studio (Germany)
• FL Studio (Belgium)
• Universal Music Group (Netherlands)
• BandLab (Singapore), and other Active Key Players

Key Industry Developments in the Music Composing Software Market:

• In May 2024, Apple announced the all-new Logic Pro for iPad 2 and Logic Pro for Mac 11, offering stunning professional experiences for song writing, beat making, production and mixing. Powered by artificial intelligence, the new Logic Pro offers incredible studio-assist features that streamline music production and help artists exactly when they need it – while ensuring they retain full creative control.
• In February 2024, Adobe is exploring new ways for newbie musicians and podcasters to effortlessly create custom tune tracks. The software large these days announced Project Music GenAI Control, a prototype device that creates musical compositions the usage of simple text commands. While AI-produced tune isn't always new, Adobe's providing pursuits to simplify the editing method so all of us can customize AI compositions to their liking.

1. INTRODUCTION
   1. RESEARCH OBJECTIVES
   2. RESEARCH METHODOLOGY
   3. RESEARCH PROCESS
   4. SCOPE AND COVERAGE
      1. Market Definition
      2. Key Questions Answered
   5. MARKET SEGMENTATION
2. EXECUTIVE SUMMARY
3. MARKET OVERVIEW
4. GROWTH OPPORTUNITIES BY SEGMENT
5. MARKET LANDSCAPE
   1. PORTER’S FIVE FORCES ANALYSIS
      1. Bargaining Power Of Supplier
      2. Threat Of New Entrants
      3. Threat Of Substitutes
      4. Competitive Rivalry
      5. Bargaining Power Among Buyers
   2. INDUSTRY VALUE CHAIN ANALYSIS
   3. MARKET DYNAMICS
      1. Drivers
      2. Restraints
      3. Opportunities
      4. Challenges
   4. MARKET TREND ANALYSIS
   5. REGULATORY LANDSCAPE
   6. PESTLE ANALYSIS
   7. PRICE TREND ANALYSIS
   8. PATENT ANALYSIS
   9. TECHNOLOGY EVALUATION
   10. MARKET IMPACT OF THE RUSSIA-UKRAINE WAR
       1. Geopolitical Market Disruptions
       2. Supply Chain Disruptions
       3. Instability in Emerging Markets
   11. ECOSYSTEM
6. MUSIC COMPOSING SOFTWARE MARKET BY TYPE (2017-2032)
   1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. PROFESSIONAL
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. CASUAL
7. MUSIC COMPOSING SOFTWARE MARKET BY DEPLOYMENT MODE (2017-2032)
   1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. ON-PREMISES
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. CLOUD
8. MUSIC COMPOSING SOFTWARE MARKET BY DEVICE TYPE (2017-2032)
   1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. DESKTOP/ LAPTOP
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. TABLETS/SMARTPHONES
   5. OTHER (CLOUD-BASED, SCORE WRITERS, LOOP-BASED, ALGORITHMIC/GENERATIVE)
9. MUSIC COMPOSING SOFTWARE MARKET BY APPLICATION (2017-2032)
   1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. EDITING
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. MIXING
   5. RECORDING
10. MUSIC COMPOSING SOFTWARE MARKET BY OPERATING SYSTEM (2017-2032)
    1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
    2. MARKET OVERVIEW
    3. WINDOWS
       1. Introduction And Market Overview
       2. Historic And Forecasted Market Size in Value (2017-2032F)
       3. Historic And Forecasted Market Size in Volume (2017-2032F)
       4. Key Market Trends, Growth Factors And Opportunities
       5. Geographic Segmentation Analysis
    4. ANDROID
    5. MACOS
    6. LINUX
11. MUSIC COMPOSING SOFTWARE MARKET BY PRICING STRATEGY (2017-2032)
    1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
    2. MARKET OVERVIEW
    3. MONTHLY
       1. Introduction And Market Overview
       2. Historic And Forecasted Market Size in Value (2017-2032F)
       3. Historic And Forecasted Market Size in Volume (2017-2032F)
       4. Key Market Trends, Growth Factors And Opportunities
       5. Geographic Segmentation Analysis
    4. ANNUALLY
12. MUSIC COMPOSING SOFTWARE MARKET BY PRICING MODEL (2017-2032)
    1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
    2. MARKET OVERVIEW
    3. SUBSCRIPTION-BASED
       1. Introduction And Market Overview
       2. Historic And Forecasted Market Size in Value (2017-2032F)
       3. Historic And Forecasted Market Size in Volume (2017-2032F)
       4. Key Market Trends, Growth Factors And Opportunities
       5. Geographic Segmentation Analysis
    4. ONE-TIME PURCHASE
13. MUSIC COMPOSING SOFTWARE MARKET BY END-USER (2017-2032)
    1. MUSIC COMPOSING SOFTWARE MARKET SNAPSHOT AND GROWTH ENGINE
    2. MARKET OVERVIEW
    3. MUSIC PRODUCTION COMPANIES
       1. Introduction And Market Overview
       2. Historic And Forecasted Market Size in Value (2017-2032F)
       3. Historic And Forecasted Market Size in Volume (2017-2032F)
       4. Key Market Trends, Growth Factors And Opportunities
       5. Geographic Segmentation Analysis
    4. INDEPENDENT MUSICIAN
    5. HOME STUDIOS (PERSONAL)
    6. OTHERS (PHOTOGRAPHERS, ENTERPRISE, SCHOOLS & UNIVERSITIES, PROFESSIONAL/AUDIO ENGINEERS)
14. COMPANY PROFILES AND COMPETITIVE ANALYSIS
    1. COMPETITIVE LANDSCAPE
       1. Competitive Benchmarking
       2. Music Composing Software Market Share By Manufacturer (2023)
       3. Industry BCG Matrix
       4. Heat Map Analysis
       5. Mergers & Acquisitions
    2. MAKE MUSIC (US)
       1. Company Overview
       2. Key Executives
       3. Company Snapshot
       4. Role of the Company in the Market
       5. Sustainability and Social Responsibility
       6. Operating Business Segments
       7. Product Portfolio
       8. Business Performance (Production Volume, Sales Volume, Sales Margin, Production Capacity, Capacity Utilization Rate)
       9. Key Strategic Moves And Recent Developments
       10. SWOT Analysis
    3. MAESTRO MUSIC SOFTWARE (US)
    4. PRESONUS AUDIO ELECTRONICS (US)
    5. NOTEWORTHY SOFTWARE (US)
    6. PASSPORT MUSIC SOFTWARE (US)
    7. SION SOFTWARE (US)
    8. PRESONUS AUDIO ELECTRONICS (US)
    9. AVID PRO TOOLS (US)
    10. WAVEFORM FREE (US)
    11. AUDACITY (US)
    12. ADOBE AUDITION (US)
    13. GARAGEBAND (US)
    14. STUDIO ONE (US)
    15. LOGIC PRO (US)
    16. REAPER (US)
    17. MAESTRO MUSIC SOFTWARE (US)
    18. ACID PRO (CANADA)
    19. CUBASE (GERMANY)
    20. LUGERT VERLAG (GERMANY)
    21. NOTATION SOFTWARE (GERMANY)
    22. ABLETON LIVE (GERMANY)
    23. BITWIG STUDIO (GERMANY)
    24. FL STUDIO (BELGIUM)
    25. UNIVERSAL MUSIC GROUP (NETHERLANDS)
    26. BANDLAB (SINGAPORE), AND OTHER ACTIVE KEY PLAYERS
15. GLOBAL MUSIC COMPOSING SOFTWARE MARKET BY REGION
    1. OVERVIEW
    2. NORTH AMERICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Type
       4. Historic And Forecasted Market Size By Deployment Mode
       5. Historic And Forecasted Market Size By Device Type
       6. Historic And Forecasted Market Size By Application
       7. Historic And Forecasted Market Size By Operating System
       8. Historic And Forecasted Market Size By Pricing Strategy
       9. Historic And Forecasted Market Size By Pricing Model
       10. Historic And Forecasted Market Size By End User
       11. Historic And Forecasted Market Size By Country
           1. USA
           2. Canada
           3. Mexico
    3. EASTERN EUROPE
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Russia
          2. Bulgaria
          3. The Czech Republic
          4. Hungary
          5. Poland
          6. Romania
          7. Rest Of Eastern Europe
    4. WESTERN EUROPE
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Germany
          2. United Kingdom
          3. France
          4. The Netherlands
          5. Italy
          6. Spain
          7. Rest Of Western Europe
    5. ASIA PACIFIC
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. China
          2. India
          3. Japan
          4. South Korea
          5. Malaysia
          6. Thailand
          7. Vietnam
          8. The Philippines
          9. Australia
          10. New-Zealand
          11. Rest Of APAC
    6. MIDDLE EAST & AFRICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Turkey
          2. Bahrain
          3. Kuwait
          4. Saudi Arabia
          5. Qatar
          6. UAE
          7. Israel
          8. South Africa
    7. SOUTH AMERICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Brazil
          2. Argentina
          3. Rest of South America
16. INVESTMENT ANALYSIS
17. ANALYST VIEWPOINT AND CONCLUSION
    1. Recommendations and Concluding Analysis
    2. Potential Market Strategies

LIST OF TABLES

TABLE 001. EXECUTIVE SUMMARY
TABLE 002. MUSIC COMPOSING SOFTWARE MARKET BARGAINING POWER OF SUPPLIERS
TABLE 003. MUSIC COMPOSING SOFTWARE MARKET BARGAINING POWER OF CUSTOMERS
TABLE 004. MUSIC COMPOSING SOFTWARE MARKET COMPETITIVE RIVALRY
TABLE 005. MUSIC COMPOSING SOFTWARE MARKET THREAT OF NEW ENTRANTS
TABLE 006. MUSIC COMPOSING SOFTWARE MARKET THREAT OF SUBSTITUTES
TABLE 007. MUSIC COMPOSING SOFTWARE MARKET BY TYPE
TABLE 008. ON-PREMISES MARKET OVERVIEW (2016-2028)
TABLE 009. CLOUD MARKET OVERVIEW (2016-2028)
TABLE 010. MUSIC COMPOSING SOFTWARE MARKET BY APPLICATION
TABLE 011. PIPE ORGAN MARKET OVERVIEW (2016-2028)
TABLE 012. MARKET OVERVIEW (2016-2028)
TABLE 013. GUITAR MARKET OVERVIEW (2016-2028)
TABLE 014. MARKET OVERVIEW (2016-2028)
TABLE 015. FULL ORCHESTRA MARKET OVERVIEW (2016-2028)
TABLE 016. MARKET OVERVIEW (2016-2028)
TABLE 017. DRUMS AND PERCUSSIONS MARKET OVERVIEW (2016-2028)
TABLE 018. NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY TYPE (2016-2028)
TABLE 019. NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY APPLICATION (2016-2028)
TABLE 020. N MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY (2016-2028)
TABLE 021. EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY TYPE (2016-2028)
TABLE 022. EUROPE MUSIC COMPOSING SOFTWARE MARKET, BY APPLICATION (2016-2028)
TABLE 023. MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY (2016-2028)
TABLE 024. ASIA PACIFIC MUSIC COMPOSING SOFTWARE MARKET, BY TYPE (2016-2028)
TABLE 025. ASIA PACIFIC MUSIC COMPOSING SOFTWARE MARKET, BY APPLICATION (2016-2028)
TABLE 026. MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY (2016-2028)
TABLE 027. MIDDLE EAST & AFRICA MUSIC COMPOSING SOFTWARE MARKET, BY TYPE (2016-2028)
TABLE 028. MIDDLE EAST & AFRICA MUSIC COMPOSING SOFTWARE MARKET, BY APPLICATION (2016-2028)
TABLE 029. MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY (2016-2028)
TABLE 030. SOUTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY TYPE (2016-2028)
TABLE 031. SOUTH AMERICA MUSIC COMPOSING SOFTWARE MARKET, BY APPLICATION (2016-2028)
TABLE 032. MUSIC COMPOSING SOFTWARE MARKET, BY COUNTRY (2016-2028)
TABLE 033. MAKEMUSIC: SNAPSHOT
TABLE 034. MAKEMUSIC: BUSINESS PERFORMANCE
TABLE 035. MAKEMUSIC: PRODUCT PORTFOLIO
TABLE 036. MAKEMUSIC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 036. AVIS TECHNOLOGY: SNAPSHOT
TABLE 037. AVIS TECHNOLOGY: BUSINESS PERFORMANCE
TABLE 038. AVIS TECHNOLOGY: PRODUCT PORTFOLIO
TABLE 039. AVIS TECHNOLOGY: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 039. MAESTRO MUSIC SOFTWARE: SNAPSHOT
TABLE 040. MAESTRO MUSIC SOFTWARE: BUSINESS PERFORMANCE
TABLE 041. MAESTRO MUSIC SOFTWARE: PRODUCT PORTFOLIO
TABLE 042. MAESTRO MUSIC SOFTWARE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 042. LUGERT VERLAG: SNAPSHOT
TABLE 043. LUGERT VERLAG: BUSINESS PERFORMANCE
TABLE 044. LUGERT VERLAG: PRODUCT PORTFOLIO
TABLE 045. LUGERT VERLAG: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 045. NOTATION SOFTWARE GERMANY: SNAPSHOT
TABLE 046. NOTATION SOFTWARE GERMANY: BUSINESS PERFORMANCE
TABLE 047. NOTATION SOFTWARE GERMANY: PRODUCT PORTFOLIO
TABLE 048. NOTATION SOFTWARE GERMANY: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 048. PRESONUS AUDIO ELECTRONICS: SNAPSHOT
TABLE 049. PRESONUS AUDIO ELECTRONICS: BUSINESS PERFORMANCE
TABLE 050. PRESONUS AUDIO ELECTRONICS: PRODUCT PORTFOLIO
TABLE 051. PRESONUS AUDIO ELECTRONICS: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 051. NOTEWORTHY SOFTWARE: SNAPSHOT
TABLE 052. NOTEWORTHY SOFTWARE: BUSINESS PERFORMANCE
TABLE 053. NOTEWORTHY SOFTWARE: PRODUCT PORTFOLIO
TABLE 054. NOTEWORTHY SOFTWARE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 054. PASSPORT MUSIC SOFTWARE: SNAPSHOT
TABLE 055. PASSPORT MUSIC SOFTWARE: BUSINESS PERFORMANCE
TABLE 056. PASSPORT MUSIC SOFTWARE: PRODUCT PORTFOLIO
TABLE 057. PASSPORT MUSIC SOFTWARE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 057. SION SOFTWARE: SNAPSHOT
TABLE 058. SION SOFTWARE: BUSINESS PERFORMANCE
TABLE 059. SION SOFTWARE: PRODUCT PORTFOLIO
TABLE 060. SION SOFTWARE: KEY STRATEGIC MOVES AND DEVELOPMENTS

LIST OF FIGURES

FIGURE 001. YEARS CONSIDERED FOR ANALYSIS
FIGURE 002. SCOPE OF THE STUDY
FIGURE 003. MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY REGIONS
FIGURE 004. PORTER'S FIVE FORCES ANALYSIS
FIGURE 005. BARGAINING POWER OF SUPPLIERS
FIGURE 006. COMPETITIVE RIVALRYFIGURE 007. THREAT OF NEW ENTRANTS
FIGURE 008. THREAT OF SUBSTITUTES
FIGURE 009. VALUE CHAIN ANALYSIS
FIGURE 010. PESTLE ANALYSIS
FIGURE 011. MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY TYPE
FIGURE 012. ON-PREMISES MARKET OVERVIEW (2016-2028)
FIGURE 013. CLOUD MARKET OVERVIEW (2016-2028)
FIGURE 014. MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY APPLICATION
FIGURE 015. PIPE ORGAN MARKET OVERVIEW (2016-2028)
FIGURE 016. MARKET OVERVIEW (2016-2028)
FIGURE 017. GUITAR MARKET OVERVIEW (2016-2028)
FIGURE 018. MARKET OVERVIEW (2016-2028)
FIGURE 019. FULL ORCHESTRA MARKET OVERVIEW (2016-2028)
FIGURE 020. MARKET OVERVIEW (2016-2028)
FIGURE 021. DRUMS AND PERCUSSIONS MARKET OVERVIEW (2016-2028)
FIGURE 022. NORTH AMERICA MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 023. EUROPE MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 024. ASIA PACIFIC MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 025. MIDDLE EAST & AFRICA MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 026. SOUTH AMERICA MUSIC COMPOSING SOFTWARE MARKET OVERVIEW BY COUNTRY (2016-2028)