Mobile Entertainment Market Synopsis

Mobile Entertainment Market Size Was Valued at USD 201.34 Billion in 2023 and is Projected to Reach USD 859.55 Billion by 2032, Growing at a CAGR of 17.50% From 2024-2032.

Mobile Entertainment refers to the provision of various forms of entertainment content and services through mobile devices such as smartphones and tablets. This includes gaming, streaming media (movies, TV shows, music), social networking, video sharing, digital content marketplaces, and more. Mobile Entertainment allows users to access and enjoy entertainment on the go, anytime and anywhere, leveraging the convenience and portability of mobile technology.

• Mobile entertainment offers a range of applications and uses to cater to the needs and preferences of users on the go. It provides entertainment content anytime, anywhere, making it ideal for commuters, travelers, and busy schedules. It also serves as a convenient way to pass time, socialize and connecting with friends, family, and communities. Mobile gaming apps offer a wide range of gaming experiences, from casual puzzle games to immersive multiplayer experiences. Content discovery and exploration are provided by platforms like streaming media and music streaming services, offering personalized recommendations and curated playlists.
• Educational apps and content provide opportunities for users to learn new skills, acquire knowledge, and engage in interactive activities. Mobile entertainment also empowers users to express themselves creatively through user-generated content, allowing them to share their creativity and connect with like-minded individuals. Finally, mobile entertainment platforms often feature live streaming and virtual events, allowing users to experience cultural performances, concerts, festivals, and entertainment events in real time, regardless of their geographical location.
• Mobile devices, like smartphones and tablets, provide a convenient and diverse way for users to access entertainment content anytime, anywhere. With a wide range of content available, including movies, music, games, and social media, mobile entertainment offers a wide range of options to suit every taste and preference. Personalization is a key feature, with platforms often leveraging user data and algorithms to provide tailored experiences. Social connectivity is also a key feature, allowing users to connect with friends, share content, and participate in communities.
• Compared to traditional entertainment, mobile entertainment is often more cost-effective, with many apps offering free content or subscription-based models. Technological advancements, such as improved processing power and network speeds, have enhanced the quality and immersive nature of mobile entertainment experiences. On-demand consumption allows users to consume content on-demand, allowing them to tailor their experiences to their individual preferences and lifestyles.

Mobile Entertainment Market Trend Analysis

Growth of Social Media Platforms

• Social media platforms have grown significantly in popularity, with billions of people worldwide using them to connect with friends, family, and communities, share content, and engage with their interests. These platforms are primarily accessible through mobile devices like smartphones and tablets, making them a convenient form of mobile entertainment. They offer a diverse range of content formats, including text posts, photos, videos, live streaming, stories, and short-form content.
• Entertainment features have evolved beyond communication tools, including gaming integrations, live streaming capabilities, music and video sharing, augmented reality filters, and interactive features like polls and quizzes. Social media algorithms analyze user behavior and preferences to deliver personalized content recommendations, keeping users engaged and entertained. Influencer culture has emerged, with content creators, influencers, and celebrities sharing entertaining content, lifestyle updates, and product endorsements with their followers.
• Community engagement is another key aspect of social media platforms, allowing users to connect with like-minded individuals, participate in discussions, join groups, and attend virtual events. This community engagement adds to the entertainment value of social media platforms and encourages user interaction and participation. Advertising revenue is also a significant revenue source for social media platforms, as they generate significant revenue through advertising, sponsored content, and partnerships with brands and advertisers.

Restraint

Lead to Excessive Screen Time

• Excessive screen time from mobile entertainment consumption can lead to physical health issues like eye strain, headaches, neck and back pain, and poor posture. It can also disrupt sleep patterns, causing sleep disturbances, fatigue, and daytime drowsiness. Mental well-being can be negatively affected, with increased stress, anxiety, and depression.
• It can interfere with mindfulness and present-moment awareness, affecting focus, attention, and productivity. Social isolation and relationship strain can result from excessive screen time, leading to feelings of loneliness and alienation. Cognitive development can be impeded, especially in children and adolescents.
• The risk of screen addiction increases due to compulsive behaviors and withdrawal symptoms. Additionally, excessive screen time can lead to neglect of important responsibilities, leading to conflict, resentment, and dissatisfaction in various areas of life.

Opportunity

Mobile Devices Can Be Used for Educational Purposes

• The Mobile Entertainment Market presents a significant opportunity for the industry to expand its reach and impact. Mobile devices offer accessibility and convenience, allowing students to access educational content anytime, anywhere, regardless of location or socioeconomic status. They offer interactive multimedia capabilities, such as videos, animations, quizzes, games, and simulations, which can captivate learners' attention and stimulate their curiosity.
• Mobile devices enable personalized learning, tailoring content to individual learners' needs using algorithms and data analytics. They provide access to a vast array of educational content, covering diverse subjects and skill levels. Mobile devices facilitate the creation of collaborative learning communities, allowing users to connect, collaborate, and share knowledge with peers and experts.
• Mobile devices support lifelong learning and continuous professional development by providing access to educational resources, certifications, and training programs. Mobile educational initiatives have the potential to reach a global audience, transcending geographical barriers and expanding access to quality education worldwide.

Challenge

Dependence on Reliable Network Infrastructure

• Mobile entertainment services rely on network connectivity to deliver real-time content, but disruptions can lead to buffering, lag, and poor user experience. Bandwidth limitations, geographic coverage, and network congestion can affect access to high-quality content and create a digital divide between urban and rural populations.
• High data costs and restrictive data caps can deter users from consuming content, especially in markets where affordability is a concern. Technological advancements like 5G may be limited in certain regions due to infrastructure challenges, regulatory barriers, or economic constraints.
• Cross-border access can also be challenging due to roaming restrictions, licensing agreements, and differences in network standards and regulations between countries. These factors can disrupt service continuity and impact user satisfaction.

Mobile Entertainment Market Segment Analysis:

Mobile Entertainment Market Segmented on the basis of application, and advertising.

By Application, Mobile TV segment is expected to dominate the market during the forecast period

• The Mobile TV segment is growing due to the increasing global adoption of smartphones, which offer access to streaming TV content. The demand for video content is high, driven by consumer preferences for on-the-go entertainment. Mobile TV apps cater to this demand by allowing users to watch favorite shows, movies, sports events, and news programs anytime, anywhere.
• Advancements in streaming technology, such as faster internet speeds and better network infrastructure, have enhanced the viewing experience on mobile devices. Mobile TV apps offer a wide range of content options, including live TV channels, on-demand shows, and exclusive content. They also provide personalized viewing experiences based on users' viewing history, preferences, and demographics, enhancing user engagement and encouraging longer viewing sessions.
• Multi-screen viewing habits are also driving the growth of Mobile TV. Partnerships and licensing agreements with content creators, broadcasters, and media companies help maintain market competitiveness. Monetization opportunities include subscription-based services, ad-supported content, pay-per-view options, and in-app purchases.

By Advertisement, Social Media Advertising segment held the largest share of 33% in 2023

• Social media platforms offer advanced targeting capabilities for advertisers in the mobile entertainment sector, allowing them to reach specific demographics, interests, behaviors, and geographic locations. These platforms have high user engagement, making them ideal for advertising mobile entertainment content such as games, streaming services, music, and videos.
• Advertisers can use visually engaging ads, videos, and interactive content to capture users' attention and drive engagement. Social media advertising has the potential for viral reach, as users share, like, and comment on content, amplifying its visibility and reach to a broader audience. Advertisers can choose the most appropriate ad format and placement to showcase their content effectively and drive conversions.
• Social media advertising provides robust analytics and tracking capabilities, allowing advertisers to measure campaign performance in real time. Social media platforms are predominantly accessed via mobile devices, making them an ideal advertising channel for mobile entertainment brands targeting smartphone and tablet users. Partnerships with influencers and content creators can help increase brand credibility, authenticity, and reach among target audiences.

Mobile Entertainment Market Regional Insights:

Asia Pacific is Expected to Dominate the Market Over the Forecast Period

• The Asia Pacific region, including densely populated countries like China, India, Indonesia, and Japan, has a vast consumer base for mobile entertainment services and content. The region's high smartphone penetration rates, growing middle class, and mobile-first culture create a fertile environment for the growth of mobile entertainment platforms and apps.
• The region's diverse content preferences across different countries and demographics can be capitalized on by offering localized content. Emerging markets like China, India, Indonesia, and Vietnam offer opportunities for expansion and investment by mobile entertainment companies. The region is home to leading technology hubs and companies, driving innovation in mobile entertainment technologies and content creation.
• Advancements in areas like augmented reality, virtual reality, gaming, and streaming media contribute to the region's dominance in the mobile entertainment market. The region's mobile gaming boom is fueled by a young demographic and increasing smartphone penetration, making it a powerhouse in the global mobile gaming industry.

Mobile Entertainment Market Top Key Players:

• Activision Blizzard, Inc. (United States)
• Electronic Arts Inc. (United States)
• Zynga Inc. (United States)
• Take-Two Interactive Software, Inc. (United States)
• Niantic, Inc. (United States)
• King Digital Entertainment (United States)
• Glu Mobile Inc. (United States)
• Kabam, Inc. (United States)
• Gameloft SE (France)
• Rovio Entertainment Corporation (Finland)
• Miniclip SA (Switzerland)
• Supercell Oy (Finland)
• Tencent Holdings Limited (China)
• NetEase, Inc. (China)
• Sony Corporation (Japan)
• Nintendo Co., Ltd. (Japan)
• Bandai Namco Entertainment Inc. (Japan)
• GungHo Online Entertainment, Inc. (Japan)
• LINE Corporation (Japan)
• Square Enix Holdings Co., Ltd. (Japan)
• DeNA Co., Ltd. (Japan)
• Mixi, Inc. (Japan)
• Gree, Inc. (Japan)
• Scopely, Inc. (United States)
• Machine Zone, Inc. (United States)
• Playrix (Russia)
• Kakao Games Corp. (South Korea)
• Com2uS Corp. (South Korea)
• Netmarble Corporation (South Korea)
• Nexon Co., Ltd. (South Korea), and other major players

Key Industry Developments in the Global Mobile Entertainment Market

In May 2024, Reliance Industries and Walt Disney announced a merger of their Indian TV and streaming media assets, creating an $8.5 billion entertainment giant poised to dominate India’s entertainment market. This significant development was expected to further disrupt the already vast and lucrative industry in the world’s most populous nation. Reliance, spearheaded by Asia’s richest man Mukesh Ambani, injected $1.4 billion into the new entity. Consequently, Reliance and its affiliates secured over a 63 percent stake, while Disney retained approximately 37 percent.

In March 2024, Malpani Group (MPG), a diversified business conglomerate based in Maharashtra with a prominent presence in the amusement park sector, acquired a majority stake and control in Imagicaaworld Entertainment Ltd. The company's lenders completed a debt resolution totaling Rs 575 crore. This resolution involved assigning Rs 500 crore of their debt to Aditya Birla ARC and receiving equity shares worth Rs 75 crore through debt conversion by the company.

1. INTRODUCTION
   1. RESEARCH OBJECTIVES
   2. RESEARCH METHODOLOGY
   3. RESEARCH PROCESS
   4. SCOPE AND COVERAGE
      1. Market Definition
      2. Key Questions Answered
   5. MARKET SEGMENTATION
2. EXECUTIVE SUMMARY
3. MARKET OVERVIEW
4. GROWTH OPPORTUNITIES BY SEGMENT
5. MARKET LANDSCAPE
   1. PORTER’S FIVE FORCES ANALYSIS
      1. Bargaining Power Of Supplier
      2. Threat Of New Entrants
      3. Threat Of Substitutes
      4. Competitive Rivalry
      5. Bargaining Power Among Buyers
   2. INDUSTRY VALUE CHAIN ANALYSIS
   3. MARKET DYNAMICS
      1. Drivers
      2. Restraints
      3. Opportunities
      4. Challenges
   4. MARKET TREND ANALYSIS
   5. REGULATORY LANDSCAPE
   6. PESTLE ANALYSIS
   7. PRICE TREND ANALYSIS
   8. PATENT ANALYSIS
   9. TECHNOLOGY EVALUATION
   10. MARKET IMPACT OF THE RUSSIA-UKRAINE WAR
       1. Geopolitical Market Disruptions
       2. Supply Chain Disruptions
       3. Instability in Emerging Markets
   11. ECOSYSTEM
6. MOBILE ENTERTAINMENT MARKET BY APPLICATION (2017-2032F)
   1. MOBILE ENTERTAINMENT MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. MOBILE MUSIC
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. MOBILE GAMING
   5. MOBILE TV
   6. MOBILE PERSONALIZATION
   7. OTHERS
7. MOBILE ENTERTAINMENT MARKET BY ADVERTISEMENT (2017-2032F)
   1. MOBILE ENTERTAINMENT MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. SOCIAL MEDIA ADVERTISING
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2017-2032F)
      3. Historic And Forecasted Market Size in Volume (2017-2032F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. ONLINE VIDEO ADVERTISING
   5. ONLINE SEARCH ADVERTISING
   6. MOBILE LOCATION BASED ADVERTISING (MLBA)
   7. IN-GAME ADVERTISING
8. COMPANY PROFILES AND COMPETITIVE ANALYSIS
   1. COMPETITIVE LANDSCAPE
      1. Competitive Positioning
      2. MOBILE ENTERTAINMENT MARKET Share By Manufacturer (2022)
      3. Industry BCG Matrix
      4. Heat Map Analysis
      5. Mergers & Acquisitions
   2. ACTIVISION BLIZZARD, INC. (UNITED STATES)
      1. Company Overview
      2. Key Executives
      3. Company Snapshot
      4. Role of the Company in the Market
      5. Sustainability and Social Responsibility
      6. Operating Business Segments
      7. Product Portfolio
      8. Business Performance (Production Volume, Sales Volume, Sales Margin, Production Capacity, Capacity Utilization Rate)
      9. Key Strategic Moves And Recent Developments
      10. SWOT Analysis
   3. ELECTRONIC ARTS INC. (UNITED STATES)
   4. ZYNGA INC. (UNITED STATES)
   5. TAKE-TWO INTERACTIVE SOFTWARE, INC. (UNITED STATES)
   6. NIANTIC, INC. (UNITED STATES)
   7. KING DIGITAL ENTERTAINMENT (UNITED STATES)
   8. GLU MOBILE INC. (UNITED STATES)
   9. KABAM, INC. (UNITED STATES)
   10. GAMELOFT SE (FRANCE)
   11. ROVIO ENTERTAINMENT CORPORATION (FINLAND)
   12. MINICLIP SA (SWITZERLAND)
   13. SUPERCELL OY (FINLAND)
   14. TENCENT HOLDINGS LIMITED (CHINA)
   15. NETEASE, INC. (CHINA)
   16. SONY CORPORATION (JAPAN)
   17. NINTENDO CO., LTD. (JAPAN)
   18. BANDAI NAMCO ENTERTAINMENT INC. (JAPAN)
   19. GUNGHO ONLINE ENTERTAINMENT, INC. (JAPAN)
   20. LINE CORPORATION (JAPAN)
   21. SQUARE ENIX HOLDINGS CO., LTD. (JAPAN)
   22. DENA CO., LTD. (JAPAN)
   23. MIXI, INC. (JAPAN)
   24. GREE, INC. (JAPAN)
   25. NETMARBLE CORPORATION (SOUTH KOREA)
   26. NEXON CO., LTD. (SOUTH KOREA)
9. GLOBAL MOBILE ENTERTAINMENT MARKET BY REGION
   1. OVERVIEW
   2. NORTH AMERICA
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Application
      4. Historic And Forecasted Market Size By Advertisement
      5. Historic And Forecasted Market Size By Country
         1. USA
         2. Canada
         3. Mexico
   3. EASTERN EUROPE
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Segments
      4. Historic And Forecasted Market Size By Country
         1. Russia
         2. Bulgaria
         3. The Czech Republic
         4. Hungary
         5. Poland
         6. Romania
         7. Rest Of Eastern Europe
   4. WESTERN EUROPE
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Segments
      4. Historic And Forecasted Market Size By Country
         1. Germany
         2. United Kingdom
         3. France
         4. The Netherlands
         5. Italy
         6. Spain
         7. Rest Of Western Europe
   5. ASIA PACIFIC
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Segments
      4. Historic And Forecasted Market Size By Country
         1. China
         2. India
         3. Japan
         4. South Korea
         5. Malaysia
         6. Thailand
         7. Vietnam
         8. The Philippines
         9. Australia
         10. New-Zealand
         11. Rest Of APAC
   6. MIDDLE EAST & AFRICA
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Segments
      4. Historic And Forecasted Market Size By Country
         1. Turkey
         2. Bahrain
         3. Kuwait
         4. Saudi Arabia
         5. Qatar
         6. UAE
         7. Israel
         8. South Africa
   7. SOUTH AMERICA
      1. Key Market Trends, Growth Factors And Opportunities
      2. Key Manufacturers
      3. Historic And Forecasted Market Size By Segments
      4. Historic And Forecasted Market Size By Country
         1. Brazil
         2. Argentina
         3. Rest of South America
10. INVESTMENT ANALYSIS
11. ANALYST VIEWPOINT AND CONCLUSION
    1. Recommendations and Concluding Analysis
    2. Potential Market Strategies

LIST OF TABLES

TABLE 001. EXECUTIVE SUMMARY
TABLE 002. MOBILE ENTERTAINMENT MARKET BARGAINING POWER OF SUPPLIERS
TABLE 003. MOBILE ENTERTAINMENT MARKET BARGAINING POWER OF CUSTOMERS
TABLE 004. MOBILE ENTERTAINMENT MARKET COMPETITIVE RIVALRY
TABLE 005. MOBILE ENTERTAINMENT MARKET THREAT OF NEW ENTRANTS
TABLE 006. MOBILE ENTERTAINMENT MARKET THREAT OF SUBSTITUTES
TABLE 007. MOBILE ENTERTAINMENT MARKET BY APPLICATION
TABLE 008. MOBILE MUSIC MARKET OVERVIEW (2016-2028)
TABLE 009. MOBILE GAMING MARKET OVERVIEW (2016-2028)
TABLE 010. MOBILE TV MARKET OVERVIEW (2016-2028)
TABLE 011. MOBILE PERSONALIZATION MARKET OVERVIEW (2016-2028)
TABLE 012. OTHERS MARKET OVERVIEW (2016-2028)
TABLE 013. MOBILE ENTERTAINMENT MARKET BY ADVERTISEMENT
TABLE 014. SOCIAL MEDIA ADVERTISING MARKET OVERVIEW (2016-2028)
TABLE 015. ONLINE VIDEO ADVERTISING MARKET OVERVIEW (2016-2028)
TABLE 016. ONLINE SEARCH ADVERTISING MARKET OVERVIEW (2016-2028)
TABLE 017. MOBILE LOCATION-BASED ADVERTISING MARKET OVERVIEW (2016-2028)
TABLE 018. IN-GAME ADVERTISING MARKET OVERVIEW (2016-2028)
TABLE 019. NORTH AMERICA MOBILE ENTERTAINMENT MARKET, BY APPLICATION (2016-2028)
TABLE 020. NORTH AMERICA MOBILE ENTERTAINMENT MARKET, BY ADVERTISEMENT (2016-2028)
TABLE 021. N MOBILE ENTERTAINMENT MARKET, BY COUNTRY (2016-2028)
TABLE 022. EUROPE MOBILE ENTERTAINMENT MARKET, BY APPLICATION (2016-2028)
TABLE 023. EUROPE MOBILE ENTERTAINMENT MARKET, BY ADVERTISEMENT (2016-2028)
TABLE 024. MOBILE ENTERTAINMENT MARKET, BY COUNTRY (2016-2028)
TABLE 025. ASIA PACIFIC MOBILE ENTERTAINMENT MARKET, BY APPLICATION (2016-2028)
TABLE 026. ASIA PACIFIC MOBILE ENTERTAINMENT MARKET, BY ADVERTISEMENT (2016-2028)
TABLE 027. MOBILE ENTERTAINMENT MARKET, BY COUNTRY (2016-2028)
TABLE 028. MIDDLE EAST & AFRICA MOBILE ENTERTAINMENT MARKET, BY APPLICATION (2016-2028)
TABLE 029. MIDDLE EAST & AFRICA MOBILE ENTERTAINMENT MARKET, BY ADVERTISEMENT (2016-2028)
TABLE 030. MOBILE ENTERTAINMENT MARKET, BY COUNTRY (2016-2028)
TABLE 031. SOUTH AMERICA MOBILE ENTERTAINMENT MARKET, BY APPLICATION (2016-2028)
TABLE 032. SOUTH AMERICA MOBILE ENTERTAINMENT MARKET, BY ADVERTISEMENT (2016-2028)
TABLE 033. MOBILE ENTERTAINMENT MARKET, BY COUNTRY (2016-2028)
TABLE 034. AMAZON INC.: SNAPSHOT
TABLE 035. AMAZON INC.: BUSINESS PERFORMANCE
TABLE 036. AMAZON INC.: PRODUCT PORTFOLIO
TABLE 037. AMAZON INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 037. APPLE: SNAPSHOT
TABLE 038. APPLE: BUSINESS PERFORMANCE
TABLE 039. APPLE: PRODUCT PORTFOLIO
TABLE 040. APPLE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 040. AT&T INC.: SNAPSHOT
TABLE 041. AT&T INC.: BUSINESS PERFORMANCE
TABLE 042. AT&T INC.: PRODUCT PORTFOLIO
TABLE 043. AT&T INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 043. ELECTRONIC ARTS INC.: SNAPSHOT
TABLE 044. ELECTRONIC ARTS INC.: BUSINESS PERFORMANCE
TABLE 045. ELECTRONIC ARTS INC.: PRODUCT PORTFOLIO
TABLE 046. ELECTRONIC ARTS INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 046. FACEBOOK: SNAPSHOT
TABLE 047. FACEBOOK: BUSINESS PERFORMANCE
TABLE 048. FACEBOOK: PRODUCT PORTFOLIO
TABLE 049. FACEBOOK: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 049. GOOGLE LLC: SNAPSHOT
TABLE 050. GOOGLE LLC: BUSINESS PERFORMANCE
TABLE 051. GOOGLE LLC: PRODUCT PORTFOLIO
TABLE 052. GOOGLE LLC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 052. NETFLIX INC.: SNAPSHOT
TABLE 053. NETFLIX INC.: BUSINESS PERFORMANCE
TABLE 054. NETFLIX INC.: PRODUCT PORTFOLIO
TABLE 055. NETFLIX INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 055. ONMOBILE GLOBAL LIMITED: SNAPSHOT
TABLE 056. ONMOBILE GLOBAL LIMITED: BUSINESS PERFORMANCE
TABLE 057. ONMOBILE GLOBAL LIMITED: PRODUCT PORTFOLIO
TABLE 058. ONMOBILE GLOBAL LIMITED: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 058. ROVIO ENTERTAINMENT CORPORATION: SNAPSHOT
TABLE 059. ROVIO ENTERTAINMENT CORPORATION: BUSINESS PERFORMANCE
TABLE 060. ROVIO ENTERTAINMENT CORPORATION: PRODUCT PORTFOLIO
TABLE 061. ROVIO ENTERTAINMENT CORPORATION: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 061. SNAP INC.: SNAPSHOT
TABLE 062. SNAP INC.: BUSINESS PERFORMANCE
TABLE 063. SNAP INC.: PRODUCT PORTFOLIO
TABLE 064. SNAP INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 064. SPOTIFY TECHNOLOGY SA: SNAPSHOT
TABLE 065. SPOTIFY TECHNOLOGY SA: BUSINESS PERFORMANCE
TABLE 066. SPOTIFY TECHNOLOGY SA: PRODUCT PORTFOLIO
TABLE 067. SPOTIFY TECHNOLOGY SA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 067. TENCENT HOLDINGS LIMITED: SNAPSHOT
TABLE 068. TENCENT HOLDINGS LIMITED: BUSINESS PERFORMANCE
TABLE 069. TENCENT HOLDINGS LIMITED: PRODUCT PORTFOLIO
TABLE 070. TENCENT HOLDINGS LIMITED: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 070. ACTIVISION BLIZZARD: SNAPSHOT
TABLE 071. ACTIVISION BLIZZARD: BUSINESS PERFORMANCE
TABLE 072. ACTIVISION BLIZZARD: PRODUCT PORTFOLIO
TABLE 073. ACTIVISION BLIZZARD: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 073. APPLE: SNAPSHOT
TABLE 074. APPLE: BUSINESS PERFORMANCE
TABLE 075. APPLE: PRODUCT PORTFOLIO
TABLE 076. APPLE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 076. ELECTRONIC ARTS: SNAPSHOT
TABLE 077. ELECTRONIC ARTS: BUSINESS PERFORMANCE
TABLE 078. ELECTRONIC ARTS: PRODUCT PORTFOLIO
TABLE 079. ELECTRONIC ARTS: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 079. FREENET DIGITAL: SNAPSHOT
TABLE 080. FREENET DIGITAL: BUSINESS PERFORMANCE
TABLE 081. FREENET DIGITAL: PRODUCT PORTFOLIO
TABLE 082. FREENET DIGITAL: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 082. GOOGLE: SNAPSHOT
TABLE 083. GOOGLE: BUSINESS PERFORMANCE
TABLE 084. GOOGLE: PRODUCT PORTFOLIO
TABLE 085. GOOGLE: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 085. QUICKPLAY MEDIA: SNAPSHOT
TABLE 086. QUICKPLAY MEDIA: BUSINESS PERFORMANCE
TABLE 087. QUICKPLAY MEDIA: PRODUCT PORTFOLIO
TABLE 088. QUICKPLAY MEDIA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 088. ROVIO INTERNATIONAL: SNAPSHOT
TABLE 089. ROVIO INTERNATIONAL: BUSINESS PERFORMANCE
TABLE 090. ROVIO INTERNATIONAL: PRODUCT PORTFOLIO
TABLE 091. ROVIO INTERNATIONAL: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 091. ALIBABA: SNAPSHOT
TABLE 092. ALIBABA: BUSINESS PERFORMANCE
TABLE 093. ALIBABA: PRODUCT PORTFOLIO
TABLE 094. ALIBABA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 094. OTHER MAJOR PLAYERS: SNAPSHOT
TABLE 095. OTHER MAJOR PLAYERS: BUSINESS PERFORMANCE
TABLE 096. OTHER MAJOR PLAYERS: PRODUCT PORTFOLIO
TABLE 097. OTHER MAJOR PLAYERS: KEY STRATEGIC MOVES AND DEVELOPMENTS

LIST OF FIGURES

FIGURE 001. YEARS CONSIDERED FOR ANALYSIS
FIGURE 002. SCOPE OF THE STUDY
FIGURE 003. MOBILE ENTERTAINMENT MARKET OVERVIEW BY REGIONS
FIGURE 004. PORTER'S FIVE FORCES ANALYSIS
FIGURE 005. BARGAINING POWER OF SUPPLIERS
FIGURE 006. COMPETITIVE RIVALRYFIGURE 007. THREAT OF NEW ENTRANTS
FIGURE 008. THREAT OF SUBSTITUTES
FIGURE 009. VALUE CHAIN ANALYSIS
FIGURE 010. PESTLE ANALYSIS
FIGURE 011. MOBILE ENTERTAINMENT MARKET OVERVIEW BY APPLICATION
FIGURE 012. MOBILE MUSIC MARKET OVERVIEW (2016-2028)
FIGURE 013. MOBILE GAMING MARKET OVERVIEW (2016-2028)
FIGURE 014. MOBILE TV MARKET OVERVIEW (2016-2028)
FIGURE 015. MOBILE PERSONALIZATION MARKET OVERVIEW (2016-2028)
FIGURE 016. OTHERS MARKET OVERVIEW (2016-2028)
FIGURE 017. MOBILE ENTERTAINMENT MARKET OVERVIEW BY ADVERTISEMENT
FIGURE 018. SOCIAL MEDIA ADVERTISING MARKET OVERVIEW (2016-2028)
FIGURE 019. ONLINE VIDEO ADVERTISING MARKET OVERVIEW (2016-2028)
FIGURE 020. ONLINE SEARCH ADVERTISING MARKET OVERVIEW (2016-2028)
FIGURE 021. MOBILE LOCATION-BASED ADVERTISING MARKET OVERVIEW (2016-2028)
FIGURE 022. IN-GAME ADVERTISING MARKET OVERVIEW (2016-2028)
FIGURE 023. NORTH AMERICA MOBILE ENTERTAINMENT MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 024. EUROPE MOBILE ENTERTAINMENT MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 025. ASIA PACIFIC MOBILE ENTERTAINMENT MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 026. MIDDLE EAST & AFRICA MOBILE ENTERTAINMENT MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 027. SOUTH AMERICA MOBILE ENTERTAINMENT MARKET OVERVIEW BY COUNTRY (2016-2028)