Global Comic Book Market Synopsis

Global Comic Book Market Size Was Valued at USD 16.02 Billion in 2023, and is Projected to Reach USD 25.07 Billion by 2032, Growing at a CAGR of 5.1% From 2024-2032.

• Comics are visual storytelling that combine illustrations, dialogue, and narration to convey stories, often featuring consecutive panels. They usually revolve around different genres, including superhero adventures, science fiction, fantasy, horror and slice-of-life. These publications use a combination of art and text to engage readers, using vivid images, speech bubbles and headlines to convey character dialogue, action and the overall plot. Comics serve as a dynamic storytelling medium that appeals to audiences of all ages and offers a unique combination of art and storytelling.
• At their core, comic books serve as a gateway to imaginative worlds, offering a platform for creativity, social commentary, and entertainment. With their vivid illustrations and compelling narratives, they have the power to captivate readers, transporting them to diverse universes and exploring themes ranging from heroism and justice to personal struggles and societal issues. Their combination of visual artistry and storytelling prowess makes them a beloved and influential form of popular culture, shaping the way stories are told and consumed across generations.
• The comic book industry has had a substantial increase in popularity over the past few decades, gaining wide recognition in addition to drawing a diverse and committed fan base.  Comic books offer a wide variety of genres and storytelling opportunities, catering to a variety of tastes and inclinations.

Global Comic Book Market Trend Analysis

Diverse Content and Representation

• The introduction of diverse characters from various backgrounds, ethnicities, genders, sexual orientations, and abilities has resonated strongly with audiences who have longed for representation. This inclusivity has helped comic books break away from catering solely to traditional demographics, attracting a more diverse readership.
• Diverse storylines and characters allow readers from different backgrounds to see themselves reflected in the narratives. This sense of representation fosters a stronger emotional connection and relatability, making comic books more engaging and meaningful for a wider audience.
• Diverse storylines and characters allow readers from different backgrounds to see themselves reflected in the narratives. This sense of representation fosters a stronger emotional connection and relatability, making comic books more engaging and meaningful for a wider audience. Diverse content brings new perspectives and experiences to the forefront. Writers and artists are exploring themes and narratives previously overlooked, creating fresh and innovative storylines that captivate readers seeking something beyond the conventional superhero tropes. Comic book publishers recognize the financial value of inclusivity. By catering to a broader audience and reflecting the diversity of their readership, they tap into previously untapped markets, increasing sales and market share.

Growing Craze of Comic Books Across the Globe

• The growing craze for comic books has become a global phenomenon, transcending age, culture, and borders. What was once considered a niche interest has now evolved into a mainstream cultural force captivating audience worldwide. This surge in popularity stems from various factors. Firstly, the revitalization of iconic superhero stories through blockbuster movies and TV adaptations has introduced a whole new generation to the colourful and dynamic world of comics. Characters like Spider-Man, Batman, and the Avengers have become household names, driving interest in their original comic book source material.
• The diversity and inclusivity prevalent in modern comics have contributed significantly to their widespread appeal. Readers are drawn to stories that reflect a more diverse range of experiences, identities, and perspectives, fostering a sense of connection and representation. Creators are exploring narratives beyond traditional superhero tropes, delving into genres like slice-of-life, fantasy, and science fiction, catering to a broader audience base. The digital revolution has played a pivotal role in this global comic book craze. Digital platforms and webcomics have democratized access, allowing creators to reach audiences across the globe instantly.

Global Comic Book Market Segment Analysis:

Global Comic Book Market Segmented on the basis of type, application, and end-users.

By Type, digital comic segment is expected to dominate the market during the forecast period

• Digital comic books have revolutionized the way people engage with sequential art, offering a convenient and accessible platform for readers. These versions replicate the traditional comic book experience but in a digital format, allowing enthusiasts to read their favourite titles on smartphones, tablets, or computers. The digital medium offers several advantages, including instant access to a vast library of comics, the ability to purchase and download issues from anywhere with an internet connection, and features like guided view technology that enhances the reading experience.
• Digital comics often provide supplementary content such as behind-the-scenes artwork, creator interviews, and interactive elements, enriching the overall reading experience. This format has attracted new readers, expanded the reach of established comic series, and enabled independent creators to showcase their work to a global audience without the constraints of print distribution

By Distribution, Book Stores segment held the largest share of 28.4% in 2022

• The robust presence of bookstores in the distribution sphere highlights their resilience but also signifies the enduring appeal of tangible books and the role these spaces play in promoting literacy and literary culture. Their adaptability in embracing new technologies while preserving the essence of traditional book browsing experiences has been pivotal in maintaining their leadership position
• Online stores have been increasingly dominant in the distribution of comic books. While traditional bookstores and comic stores still hold their place in the market and serve a dedicated customer base, online retailers have gained significant traction. Platforms like Amazon, Comixology, and direct sales from publishers' websites offer unparalleled convenience, a vast selection, and often competitive pricing for both physical copies and digital editions of comics.

By End-User, Adult segment held the largest share of 30% in 2022

• The comic book landscape has evolved remarkably, expanding its storytelling horizons to encompass a diverse range of genres and themes aimed at both adult and younger audiences. For adults, comics now explore intricate narratives spanning science fiction, fantasy, horror, and slice-of-life genres, delving into social issues and personal complexities with depth and maturity. Concurrently, comics for kids remain a vibrant segment, offering engaging tales tied to popular franchises, age-appropriate graphic novels, and beloved character-driven series. This dual focus ensures that the comic book market continues to captivate both adults seeking depth and nuance and younger readers enchanted by imaginative and accessible storytelling.

• As the growing popularity, surge in manga's market share within the comic book industry mirrors a global trend toward the popularity and widespread acceptance of Japanese comics worldwide. The dominance of adult-oriented manga, claiming 53% of the market, signifies not only a shift in consumer preferences but also an indication of the diverse storytelling styles and genres present within manga. This growing interest extends beyond Japan, indicating a significant global appetite for mature-themed narratives, intricate artwork, and culturally immersive storytelling that manga often offers.

Global Comic Book Market Regional Insights:

North America is Expected to Dominate the Market Over the Forecast period

• The United States, through the prolific output of publishers like Marvel and DC Comics, has undeniably shaped the global comic book industry. The rise of superhero comics, iconic characters like Spider-Man, Batman, Superman, and the extensive universes they inhabit have propelled American comics to the forefront of the global market. These franchises have not only garnered immense popularity within the States but have also achieved widespread recognition and fandom worldwide.
• The United States' impact on the global comic book landscape extends beyond publishing; it has created a cultural phenomenon that resonates across borders, captivating audiences and shaping the way superheroes and comics are perceived and consumed globally. The popularity and enduring legacy of American superhero comics continue to be a driving force in the broader comic book industry, setting trends and inspiring creators and readers across the world.

Global Comic Book Market Top Key Players:

• Marvel Entertainment, LLC (US)
• Dark Horse Media, LLC(U.S.)
• Image Comics (U.S.)
• DC Entertainment (U.S.)
• Archie Comics (U.S.)
• IDW Media Holdings, Inc. (U.S.)
• DMG Entertainment (U.S.)
• Warner Bros. Discovery, Inc (US)
• The Walt Disney Company (US)
• Dynamite Entertainment (US)
• Fantagraphics Books (US)
• Embracer Group AB(Europe)
• Casterman (France)
• BAO Publishing (France)
• Humanoids (France)
• Egmont Publishing (Denmark)
• Titan Publishing Group Ltd (UK)
• Rebellion (U.K)
• Square Enix Holdings Co., Ltd (Japan)
• Shogakukan Co., Ltd (Japan)
• Kodansha Ltd (Japan)
• Akita Publishing Co., Ltd. (Japan)
• Futabasha Publishers Ltd. (Japan)
• Daewon Media Co., Ltd (South Korea)
• ACK Media Direct Limited (India)

Key Industry Developments in the Global Comic Book Market:

• In July 2023: Legible Inc. announced that it would partner with Kartoon Studios, the controlling partner of Stan Lee Universe, LLC, to launch STAN LEE COMICS, a line of digital and print comic books based on never-before-released stories and characters created by Stan Lee. Kartoon Studios selected Legible as a leading online book streaming platform and multimedia publisher to develop and distribute approximately 12 original comic book series, based on Stan Lee's creations, across Legible's broad publishing and reading platform.
• In June 2024, Fantagraphics, the leading publisher of classic comics and literary graphic novels, was pleased to announce the appointment of Tucker Stone as the new Executive Director of Communications & Marketing. Having worked with highly regarded organizations such as Nobrow & Flying Eye Books, TOON Books, and Ingram, Stone brings over 15 years of experience in the comics and publishing industry to the position at Fantagraphics

1. INTRODUCTION
   1. RESEARCH OBJECTIVES
   2. RESEARCH METHODOLOGY
   3. RESEARCH PROCESS
   4. SCOPE AND COVERAGE
      1. Market Definition
      2. Key Questions Answered
   5. MARKET SEGMENTATION
2. EXECUTIVE SUMMARY
3. MARKET OVERVIEW
4. GROWTH OPPORTUNITIES BY SEGMENT
5. MARKET LANDSCAPE
   1. PORTER’S FIVE FORCES ANALYSIS
      1. Bargaining Power Of Supplier
      2. Threat Of New Entrants
      3. Threat Of Substitutes
      4. Competitive Rivalry
      5. Bargaining Power Among Buyers
   2. INDUSTRY VALUE CHAIN ANALYSIS
   3. MARKET DYNAMICS
      1. Drivers
      2. Restraints
      3. Opportunities
      4. Challenges
   4. MARKET TREND ANALYSIS
   5. REGULATORY LANDSCAPE
   6. PESTLE ANALYSIS
   7. PRICE TREND ANALYSIS
   8. PATENT ANALYSIS
   9. TECHNOLOGY EVALUATION
   10. MARKET IMPACT OF THE RUSSIA-UKRAINE WAR
       1. Geopolitical Market Disruptions
       2. Supply Chain Disruptions
       3. Instability in Emerging Markets
   11. ECOSYSTEM
6. GLOBAL COMIC BOOK MARKET BY TYPE (2016-2030)
   1. GLOBAL COMIC BOOK MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. TYPEA
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2016 – 2030F)
      3. Historic And Forecasted Market Size in Volume (2016 – 2030F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. PHYSICAL COMIC BOOK
   5. DIGITAL COMIC BOOK
7. GLOBAL COMIC BOOK MARKET BY DISTRIBUTION (2016-2030)
   1. GLOBAL COMIC BOOK MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. BOOK STORES
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2016 – 2030F)
      3. Historic And Forecasted Market Size in Volume (2016 – 2030F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. COMIC STORES
   5. ONLINE STORES
8. GLOBAL COMIC BOOK MARKET BY END USERS (2016-2030)
   1. GLOBAL COMIC BOOK MARKET SNAPSHOT AND GROWTH ENGINE
   2. MARKET OVERVIEW
   3. ADULTS
      1. Introduction And Market Overview
      2. Historic And Forecasted Market Size in Value (2016 – 2030F)
      3. Historic And Forecasted Market Size in Volume (2016 – 2030F)
      4. Key Market Trends, Growth Factors And Opportunities
      5. Geographic Segmentation Analysis
   4. KIDS
9. COMPANY PROFILES AND COMPETITIVE ANALYSIS
   1. COMPETITIVE LANDSCAPE
      1. Competitive Positioning
      2. GLOBAL COMIC BOOK Market Share By Manufacturer (2022)
      3. Industry BCG Matrix
      4. Heat Map Analysis
      5. Mergers & Acquisitions
   2. MARVEL ENTERTAINMENT, LLC
      1. Company Overview
      2. Key Executives
      3. Company Snapshot
      4. Role of the Company in the Market
      5. Sustainability and Social Responsibility
      6. Operating Business Segments
      7. Product Portfolio
      8. Business Performance (Production Volume, Sales Volume, Sales Margin, Production Capacity, Capacity Utilization Rate)
      9. Key Strategic Moves And Recent Developments
      10. SWOT Analysis
   3. DARK HORSE MEDIA, LLC
   4. IMAGE COMICS
   5. DC ENTERTAINMENT
   6. ARCHIE COMICS
   7. ARCHIE COMICS
   8. IDW MEDIA HOLDINGS, INC
   9. DMG ENTERTAINMENT
   10. WARNER BROS. DISCOVERY, INC
   11. THE WALT DISNEY COMPANY
   12. DYNAMITE ENTERTAINMENT
   13. FANTAGRAPHICS BOOKS
   14. EMBRACER GROUP AB
   15. CASTERMAN
   16. BAO PUBLISHING
   17. HUMANOIDS
   18. EGMONT PUBLISHING
   19. TITAN PUBLISHING GROUP LTD
   20. REBELLION
   21. SQUARE ENIX HOLDINGS CO., LTD
   22. SHOGAKUKAN CO., LTD
   23. KODANSHA LTD
   24. AKITA PUBLISHING CO., LTD.
   25. FUTABASHA PUBLISHERS LTD.
   26. DAEWON MEDIA CO., LTD
   27. ACK MEDIA DIRECT LIMITED
10. GLOBAL COMIC BOOK MARKET BY REGION
    1. OVERVIEW
    2. NORTH AMERICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Type
       4. Historic And Forecasted Market Size By Distribution
       5. Historic And Forecasted Market Size By End Users
       6. Historic And Forecasted Market Size By Country
          1. USA
          2. Canada
          3. Mexico
    3. EASTERN EUROPE
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Russia
          2. Bulgaria
          3. The Czech Republic
          4. Hungary
          5. Poland
          6. Romania
          7. Rest Of Eastern Europe
    4. WESTERN EUROPE
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Germany
          2. United Kingdom
          3. France
          4. The Netherlands
          5. Italy
          6. Spain
          7. Rest Of Western Europe
    5. ASIA PACIFIC
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. China
          2. India
          3. Japan
          4. South Korea
          5. Malaysia
          6. Thailand
          7. Vietnam
          8. The Philippines
          9. Australia
          10. New-Zealand
          11. Rest Of APAC
    6. MIDDLE EAST & AFRICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Turkey
          2. Bahrain
          3. Kuwait
          4. Saudi Arabia
          5. Qatar
          6. UAE
          7. Israel
          8. South Africa
    7. SOUTH AMERICA
       1. Key Market Trends, Growth Factors And Opportunities
       2. Key Manufacturers
       3. Historic And Forecasted Market Size By Segments
       4. Historic And Forecasted Market Size By Country
          1. Brazil
          2. Argentina
          3. Rest of South America
11. INVESTMENT ANALYSIS
12. ANALYST VIEWPOINT AND CONCLUSION
    1. Recommendations and Concluding Analysis
    2. Potential Market Strategies

LIST OF TABLES

TABLE 001. EXECUTIVE SUMMARY
TABLE 002. COMIC BOOK MARKET BARGAINING POWER OF SUPPLIERS
TABLE 003. COMIC BOOK MARKET BARGAINING POWER OF CUSTOMERS
TABLE 004. COMIC BOOK MARKET COMPETITIVE RIVALRY
TABLE 005. COMIC BOOK MARKET THREAT OF NEW ENTRANTS
TABLE 006. COMIC BOOK MARKET THREAT OF SUBSTITUTES
TABLE 007. COMIC BOOK MARKET BY TYPE
TABLE 008. PHYSICAL COMIC BOOK MARKET OVERVIEW (2016-2028)
TABLE 009. DIGITAL COMIC BOOK MARKET OVERVIEW (2016-2028)
TABLE 010. COMIC BOOK MARKET BY DISTRIBUTION CHANNELS
TABLE 011. RETAIL STORE MARKET OVERVIEW (2016-2028)
TABLE 012. COMIC BOOKSTORE MARKET OVERVIEW (2016-2028)
TABLE 013. HYPERMARKETS / SUPERMARKETS MARKET OVERVIEW (2016-2028)
TABLE 014. ONLINE SALES MARKET OVERVIEW (2016-2028)
TABLE 015. COMIC BOOK MARKET BY END USERS
TABLE 016. KIDS MARKET OVERVIEW (2016-2028)
TABLE 017. ADULT MARKET OVERVIEW (2016-2028)
TABLE 018. NORTH AMERICA COMIC BOOK MARKET, BY TYPE (2016-2028)
TABLE 019. NORTH AMERICA COMIC BOOK MARKET, BY DISTRIBUTION CHANNELS (2016-2028)
TABLE 020. NORTH AMERICA COMIC BOOK MARKET, BY END USERS (2016-2028)
TABLE 021. N COMIC BOOK MARKET, BY COUNTRY (2016-2028)
TABLE 022. EUROPE COMIC BOOK MARKET, BY TYPE (2016-2028)
TABLE 023. EUROPE COMIC BOOK MARKET, BY DISTRIBUTION CHANNELS (2016-2028)
TABLE 024. EUROPE COMIC BOOK MARKET, BY END USERS (2016-2028)
TABLE 025. COMIC BOOK MARKET, BY COUNTRY (2016-2028)
TABLE 026. ASIA PACIFIC COMIC BOOK MARKET, BY TYPE (2016-2028)
TABLE 027. ASIA PACIFIC COMIC BOOK MARKET, BY DISTRIBUTION CHANNELS (2016-2028)
TABLE 028. ASIA PACIFIC COMIC BOOK MARKET, BY END USERS (2016-2028)
TABLE 029. COMIC BOOK MARKET, BY COUNTRY (2016-2028)
TABLE 030. MIDDLE EAST & AFRICA COMIC BOOK MARKET, BY TYPE (2016-2028)
TABLE 031. MIDDLE EAST & AFRICA COMIC BOOK MARKET, BY DISTRIBUTION CHANNELS (2016-2028)
TABLE 032. MIDDLE EAST & AFRICA COMIC BOOK MARKET, BY END USERS (2016-2028)
TABLE 033. COMIC BOOK MARKET, BY COUNTRY (2016-2028)
TABLE 034. SOUTH AMERICA COMIC BOOK MARKET, BY TYPE (2016-2028)
TABLE 035. SOUTH AMERICA COMIC BOOK MARKET, BY DISTRIBUTION CHANNELS (2016-2028)
TABLE 036. SOUTH AMERICA COMIC BOOK MARKET, BY END USERS (2016-2028)
TABLE 037. COMIC BOOK MARKET, BY COUNTRY (2016-2028)
TABLE 038. MARVEL ENTERTAINMENT LLC: SNAPSHOT
TABLE 039. MARVEL ENTERTAINMENT LLC: BUSINESS PERFORMANCE
TABLE 040. MARVEL ENTERTAINMENT LLC: PRODUCT PORTFOLIO
TABLE 041. MARVEL ENTERTAINMENT LLC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 041. WARNER BROS ENTERTAINMENT INC.: SNAPSHOT
TABLE 042. WARNER BROS ENTERTAINMENT INC.: BUSINESS PERFORMANCE
TABLE 043. WARNER BROS ENTERTAINMENT INC.: PRODUCT PORTFOLIO
TABLE 044. WARNER BROS ENTERTAINMENT INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 044. IMAGE COMICS INC.: SNAPSHOT
TABLE 045. IMAGE COMICS INC.: BUSINESS PERFORMANCE
TABLE 046. IMAGE COMICS INC.: PRODUCT PORTFOLIO
TABLE 047. IMAGE COMICS INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 047. TOEI ANIMATION CO. LTD.: SNAPSHOT
TABLE 048. TOEI ANIMATION CO. LTD.: BUSINESS PERFORMANCE
TABLE 049. TOEI ANIMATION CO. LTD.: PRODUCT PORTFOLIO
TABLE 050. TOEI ANIMATION CO. LTD.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 050. INTERNATIONAL SUPERHEROS: SNAPSHOT
TABLE 051. INTERNATIONAL SUPERHEROS: BUSINESS PERFORMANCE
TABLE 052. INTERNATIONAL SUPERHEROS: PRODUCT PORTFOLIO
TABLE 053. INTERNATIONAL SUPERHEROS: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 053. DC COMICS INC.: SNAPSHOT
TABLE 054. DC COMICS INC.: BUSINESS PERFORMANCE
TABLE 055. DC COMICS INC.: PRODUCT PORTFOLIO
TABLE 056. DC COMICS INC.: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 056. BOOM! STUDIOS: SNAPSHOT
TABLE 057. BOOM! STUDIOS: BUSINESS PERFORMANCE
TABLE 058. BOOM! STUDIOS: PRODUCT PORTFOLIO
TABLE 059. BOOM! STUDIOS: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 059. SHUEISHA: SNAPSHOT
TABLE 060. SHUEISHA: BUSINESS PERFORMANCE
TABLE 061. SHUEISHA: PRODUCT PORTFOLIO
TABLE 062. SHUEISHA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 062. DYNAMITE ENTERTAINMENT: SNAPSHOT
TABLE 063. DYNAMITE ENTERTAINMENT: BUSINESS PERFORMANCE
TABLE 064. DYNAMITE ENTERTAINMENT: PRODUCT PORTFOLIO
TABLE 065. DYNAMITE ENTERTAINMENT: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 065. DARK HORSE COMICS LLC: SNAPSHOT
TABLE 066. DARK HORSE COMICS LLC: BUSINESS PERFORMANCE
TABLE 067. DARK HORSE COMICS LLC: PRODUCT PORTFOLIO
TABLE 068. DARK HORSE COMICS LLC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 068. IWD ENTERTAINMENT LLC: SNAPSHOT
TABLE 069. IWD ENTERTAINMENT LLC: BUSINESS PERFORMANCE
TABLE 070. IWD ENTERTAINMENT LLC: PRODUCT PORTFOLIO
TABLE 071. IWD ENTERTAINMENT LLC: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 071. SHOGAKUKAN: SNAPSHOT
TABLE 072. SHOGAKUKAN: BUSINESS PERFORMANCE
TABLE 073. SHOGAKUKAN: PRODUCT PORTFOLIO
TABLE 074. SHOGAKUKAN: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 074. KODANSHA: SNAPSHOT
TABLE 075. KODANSHA: BUSINESS PERFORMANCE
TABLE 076. KODANSHA: PRODUCT PORTFOLIO
TABLE 077. KODANSHA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 077. KADOKAWA FUTURE PUBLISHING: SNAPSHOT
TABLE 078. KADOKAWA FUTURE PUBLISHING: BUSINESS PERFORMANCE
TABLE 079. KADOKAWA FUTURE PUBLISHING: PRODUCT PORTFOLIO
TABLE 080. KADOKAWA FUTURE PUBLISHING: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 080. AKITA SHOTEN: SNAPSHOT
TABLE 081. AKITA SHOTEN: BUSINESS PERFORMANCE
TABLE 082. AKITA SHOTEN: PRODUCT PORTFOLIO
TABLE 083. AKITA SHOTEN: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 083. FUTABASHA: SNAPSHOT
TABLE 084. FUTABASHA: BUSINESS PERFORMANCE
TABLE 085. FUTABASHA: PRODUCT PORTFOLIO
TABLE 086. FUTABASHA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 086. BAMBOO: SNAPSHOT
TABLE 087. BAMBOO: BUSINESS PERFORMANCE
TABLE 088. BAMBOO: PRODUCT PORTFOLIO
TABLE 089. BAMBOO: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 089. CASTERMAN: SNAPSHOT
TABLE 090. CASTERMAN: BUSINESS PERFORMANCE
TABLE 091. CASTERMAN: PRODUCT PORTFOLIO
TABLE 092. CASTERMAN: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 092. CINEBOOK: SNAPSHOT
TABLE 093. CINEBOOK: BUSINESS PERFORMANCE
TABLE 094. CINEBOOK: PRODUCT PORTFOLIO
TABLE 095. CINEBOOK: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 095. JOE BOOKS: SNAPSHOT
TABLE 096. JOE BOOKS: BUSINESS PERFORMANCE
TABLE 097. JOE BOOKS: PRODUCT PORTFOLIO
TABLE 098. JOE BOOKS: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 098. AMAR CHITRA KATHA MEDIA: SNAPSHOT
TABLE 099. AMAR CHITRA KATHA MEDIA: BUSINESS PERFORMANCE
TABLE 100. AMAR CHITRA KATHA MEDIA: PRODUCT PORTFOLIO
TABLE 101. AMAR CHITRA KATHA MEDIA: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 101. MIRAGE STUDIO'S: SNAPSHOT
TABLE 102. MIRAGE STUDIO'S: BUSINESS PERFORMANCE
TABLE 103. MIRAGE STUDIO'S: PRODUCT PORTFOLIO
TABLE 104. MIRAGE STUDIO'S: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 104. UDON ENTERTAINMENT: SNAPSHOT
TABLE 105. UDON ENTERTAINMENT: BUSINESS PERFORMANCE
TABLE 106. UDON ENTERTAINMENT: PRODUCT PORTFOLIO
TABLE 107. UDON ENTERTAINMENT: KEY STRATEGIC MOVES AND DEVELOPMENTS
TABLE 107. OTHERS: SNAPSHOT
TABLE 108. OTHERS: BUSINESS PERFORMANCE
TABLE 109. OTHERS: PRODUCT PORTFOLIO
TABLE 110. OTHERS: KEY STRATEGIC MOVES AND DEVELOPMENTS

LIST OF FIGURES

FIGURE 001. YEARS CONSIDERED FOR ANALYSIS
FIGURE 002. SCOPE OF THE STUDY
FIGURE 003. COMIC BOOK MARKET OVERVIEW BY REGIONS
FIGURE 004. PORTER'S FIVE FORCES ANALYSIS
FIGURE 005. BARGAINING POWER OF SUPPLIERS
FIGURE 006. COMPETITIVE RIVALRYFIGURE 007. THREAT OF NEW ENTRANTS
FIGURE 008. THREAT OF SUBSTITUTES
FIGURE 009. VALUE CHAIN ANALYSIS
FIGURE 010. PESTLE ANALYSIS
FIGURE 011. COMIC BOOK MARKET OVERVIEW BY TYPE
FIGURE 012. PHYSICAL COMIC BOOK MARKET OVERVIEW (2016-2028)
FIGURE 013. DIGITAL COMIC BOOK MARKET OVERVIEW (2016-2028)
FIGURE 014. COMIC BOOK MARKET OVERVIEW BY DISTRIBUTION CHANNELS
FIGURE 015. RETAIL STORE MARKET OVERVIEW (2016-2028)
FIGURE 016. COMIC BOOKSTORE MARKET OVERVIEW (2016-2028)
FIGURE 017. HYPERMARKETS / SUPERMARKETS MARKET OVERVIEW (2016-2028)
FIGURE 018. ONLINE SALES MARKET OVERVIEW (2016-2028)
FIGURE 019. COMIC BOOK MARKET OVERVIEW BY END USERS
FIGURE 020. KIDS MARKET OVERVIEW (2016-2028)
FIGURE 021. ADULT MARKET OVERVIEW (2016-2028)
FIGURE 022. NORTH AMERICA COMIC BOOK MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 023. EUROPE COMIC BOOK MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 024. ASIA PACIFIC COMIC BOOK MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 025. MIDDLE EAST & AFRICA COMIC BOOK MARKET OVERVIEW BY COUNTRY (2016-2028)
FIGURE 026. SOUTH AMERICA COMIC BOOK MARKET OVERVIEW BY COUNTRY (2016-2028)